Thursday, 13 April 2017
“The Romantic Backstory of Amy Adams’ Engagement Ring”, The Aventurine
The Adventurine Marion Fasel met with celebrity designer Jean Dousset to discuss “The romantic Backstory of Amy Adams’ engagement ring”. Jean created Amy’s ring
when the got engaged to Darren LeGallo in 2008. Known first for her
award-winning jewelry coverage with InStyle, Marion developed The Aventurine, a platform where she shares her passion and expertise for jewelry.
Friday, 30 October 2015
Golden Globes Party Diary: Inside the Glitziest Awards Show Events
The team behind 'The Theory of Everything'
at the Universal/NBC/Focus Features party. From left: Felicity Jones,
James Marsh, Eddie Redmayne and Johan Johannsson
THR is on the scene at the hottest bashes with awards season's biggest stars
Golden Globes parties began well before Sunday's awards and continued through Sunday night.
The Hollywood Reporter was on the scene at the biggest bashes and documented all of the happenings leading up the Globes, as well as the exclusive celebrations following Sunday's show.
See more Golden Globes' Most Memorable Moments
Sunday, Jan. 11
The Weinstein Co. and Netflix party, Robinsons-May Lot:
12:09 a.m. Robin Wright nuzzles into Ben Foster's shoulder and he kisses her on the cheek.
11:58 p.m. Rosamund Pike tells a friend, "We have a car, don't worry," as she heads toward the exit but then stops to chat with an actor who looks like Tom Felton.
See more Golden Globes 2015: The Red-Carpet Arrivals
11:39 p.m. Ben Foster leads Robin Wright through the party, hand in hand. It's thinning out as most of the celebs have moved on and other revelers are left sipping Moët and eating Fat Burgers and fries and dancing wildly to 2Pac.
11:20 p.m. Taylor Swift unscrews a bottle of water and then suddenly her song "Blank Space" comes on. Her reserved section goes nuts as Lorde and Jaime King jump to their feet. Taylor jumps up, lip syncs along to her own song for a few seconds and then crashes back down on the sofa and shakes her head to the beat, looking giddy and happy. Security rushes to a fan who tries to snap a pic of the candid moment and sternly says, "Don't even try it!"

11:19 p.m. Naomi Campbell chats with Harvey's wife on the sofa.
11:17 p.m. With his tie now undone, The Affair star Joshua Jackson does a shuffle toward the bar and dances to "Funkytown," clearly stoked about his show's win for best TV drama.
11:03 p.m. Scott Eastwood approaches a security guard and asks very loudly, "Where's the bar?!" as his blond date says, "Scott, ready, set, go!!" Coincidentally Aretha Franklin's "Freeway of Love" is playing as the two speed off.
See more Golden Globes' Most Glittery Affairs
11:01 p.m. Supermodel Alessandra Ambrosio walks in from the outdoor patio and tells THR that she's cold because she's just come back from Brazil, where it's summer. Not helping matters is her dress, a merlot lace Zuhair Murad dress.
10:55 p.m. A veteran publicist asks if we noticed that Taylor Swift, Lorde and Jaime King (pictured at right outside the Warner Bros./InStyle party) all went to the bathroom together? It was quite the scene, he said.
10:51 p.m. Supermodel Bar Refaeli says "Naomi!" as Naomi Campbell walks over and the two kiss each other hello. As Campbell walks away, one of Bar's friends says "I don't like her."
See more Golden Globes: The Winners
10:50 p.m. Shark Tank's Robert Herjavec stops 50 Cent on the red carpet between parties: "I'm so sorry, I'm just such a fan."
10:49 p.m. Diane Kruger and Joshua Jackson are squished into the middle of a large crowd of Fox, Weinstein and Netflix partygoers. "Which way is Netflix?" Jackson hollers over the crowd.
10:41 p.m. Jennifer Lopez and Benny Medina make a break for the door together, trailed by photographers, fans and security while CeCe Peniston's club hit "Finally" blasts throughout the party.
10:39 p.m. Harvey Weinstein leads Taylor Swift by the hand from the reserved section where she had been sitting with Jaime King over to J.Lo, where they hug moments after J.Lo gave a double kiss to Rita Ora. J.Lo motions for Taylor to say hi to Medina and the three of then chat for two minutes while J.Lo rests her arms on Benny's shoulders. Rita Ora covers her mouth laughing while sitting next to Georgina Chapman.
Read more Golden Globes: Amy Poehler, Tina Fey, Margaret Cho Joke About Sony Hack
10:27 p.m. Billy Bob Thornton makes it past security and into Harvey's section, where Harvey waves him over. Chanel Iman leaves, drink in hand.
10:22 p.m. Cara Delevingne goes to the bar with Rita Ora to order drinks but they are flanked by photographers. They head drinkless back to their table.
10:20 p.m. The Cumberbump! Benedict Cumberbatch breaks into a spontaneous dance with his pregnant fiancee Sophie Hunter (pictured at left) on his way out of the party.
10:18 p.m. Weinstein's section is officially the place to be as J.Lo and Benny Medina are now joined by Adrien Brody,Cara Delevingne and Rita Ora. After posing for pics, Ora leads Delevingne out of the VIP section holding hands headed toward Cumberbatch's corner.
10:11 p.m. Sally Hawkins asks James Corden why so many people are crowded around Harvey Weinstein's table. He cranes his neck, sees Jennifer Lopez and giggles "Jo Lo."
Read more Golden Globes: 'Boyhood' Emerges on Top in a Night Full of Indie Film Winners
10:05 p.m. While waiting for their glasses of champagne at the bar, Downton's Joanne Froggatt, holding her Globe, and Laura Carmichael, who plays Lady Edith, get down to "Single Ladies." When their glasses of champagne arrive they all loudly cheer.
10:04 p.m. Avoiding the more crowded room at their Netflix party, Orange Is the New Black stars Uzo Aduba and Danielle Brooks dance — no, twerk — to "Single Ladies," in a circle with some of the series' writers and supporting cast.
10:02 p.m. Jeffrey Tambor poses with two fans, clutching his Globe.
9.59 p.m. A castmember from The Imitation Game is asked where Keira Knightley is and he says, "She had to go to the CAA thing."
Read more Golden Globes: 'Affair' and 'Transparent' Wins Punctuate a Big Night for Women
9.57 p.m. Geyer Kosinski is texting Robert Procop as he comes up behind him and peers over his shoulder. How's that for timing?
9.55 p.m. Jake Gyllenhaal poses for pics with Terrell Owens.
9:50 p.m. Jennifer Lopez, wearing white fur and a white dress, arrives at the booth next to Channing Tatum but then changes her mind and she and her entourage head for a different table next to Weinstein's.
9:49 p.m. A media powerhouse circle forms with TV journalists Gayle King, Shaun Robinson, Nancy O'Dell and Kevin Frazier.
Read more Golden Globes: The Complete Winners List
9:48 p.m. Channing Tatum and wife Jenna Dewan Tatum arrive and quickly head for a private booth.
9:46 p.m. Maggie Gyllenhaal and Salma Hayek leap up to yell for the attention of a server passing out Fat Burger sliders and fries.
9:45 p.m. A huge crowd forms in the center of the party as 50 Cent has a chat with Gayle King and Jake Gyllenhaal is telling an animated story and laughing. Flashbulbs go off like crazy.
9:44 p.m. Netflix chief content officer Ted Sarandos and Ricky Gervais engage in animated conversation at the streamer's shared fete with The Weinstein Co. Will Arnett, sandwiched between the two at their booth, laughs at Gervais.
9:41 p.m. Winner Ruth Wilson receives well-wishes from an HFPA member then poses for photos.
Read more Golden Globes: Who Got Snubbed
9:38 p.m. Weinstein declines a tray of Fat Burgers being pushed by a blond server as does everyone in his area. No fast food here. Maybe too early?
9:26 p.m. Brad Grey walks past Weinstein's section with a drink in his hand. When asked by THR where he's going next, the Paramount chief says, "Either home for Cheerios and bananas or to CAA. I haven't decided yet!" with a laugh.
9:24 p.m. Security is right near Weinstein's section with six guards keeping revelers out of his VIP area. At the next section over, The Imitation Game cast is holding court with Cumberbatch seated next to his pregnant fiancee. Dominic West chats nearby.
9:15 p.m. Jeffrey Katzenberg enters with a small entourage as Bill Murray passes by, escorted by Fox Searchlight's Melissa Holloway Blanchard.
9:13 p.m. Fifty Shades of Grey star Dakota Johnson sits down on the arm of the second couch in the room and immediately dangles her feet off the ground. She declined an interview request from a fashion journalist, only saying that she's wearing Chanel couture.
Read more George Clooney Wears Wedding Tux to Golden Globes
9:08 p.m. Dame Helen Mirren poses on the carpet and heads inside, just missing Amy Adams and a small entourage (including partner Darren Le Gallo) as they exit.
HBO party
10:56 p.m. Outside the HBO party, How to Train Your Dragon 2 director Dean DeBlois is standing in the Beverly Hilton lobby with a Golden Globe in one hand and a suitcase in the other.
10:30 p.m. Hotel mogul Rick Hilton and his wife Kathy (yes, Paris and Nicky's mom) are taking photos of the party scene and DJ with their phones.
10:15 p.m. HBO chief Richard Plepler and Game Change author John Heilemann chat at a center table while Matthew McConaughey (of True Detective's first season) and Vince Vaughn (of True Detective's second season) talk nearby. Comparing notes, perhaps? Minutes later, the actors meet up with True Detective creator Nic Pizzolatto along with The Comeback actress Malin Akerman outside on the patio.
10:05 p.m. The HBO party almost became a Midnight Cowboy reunion when star Jon Voight (and nominee for Showtime's Ray Donovan) appeared at the fete just as his Cowboy co-star Brenda Vaccaro was leaving.
Read more Golden Globes: 'Selma' Snubbed in Major Categories
10:00 p.m. Julianne Moore was still glowing at the HBO party after her Globes win for Still Alice. Was she surprised? "It was such a long evening, so by the time it happened it did feel surprising," said Moore.
9:45 p.m. Jennifer Aniston (pictured at right with fiance Justin Theroux) cuts the line of ladies waiting to use the restroom.
9:40 p.m. Spotted: Debi Mazar and Sarah Hyland
9:30 p.m. Aniston gives a hug to Matthew McConaughey's wife, Camila Alves.
9:15 p.m. Monica Lewinsky looks deep in conversation with The Good Wife's Alan Cumming.
9:05 p.m. Squeals erupt in the Beverly Hilton ballroom as Taylor Swift and Lorde make their way to the HBO party. They stop on the way in to say hello to WME co-CEO Ari Emanuel and Dakota Johnson.
Read more Golden Globes: What You Didn't See on TV
9:05 p.m. Amazon CEO Jeff Bezos enters the party.
NBC/Universal Pictures/Focus Features/E! party at the Garage:
9:17 p.m. The Theory of Everything star and lead drama actor winner Eddie Redmayne arrives at the party amid the glare of flashbulbs and is mobbed by well-wishers.
9:07 p.m. Seth Meyers didn't want to talk about the success of his new late-night show. He was full of praise for his SNL pals Amy Poehler and Tina Fey, but he said he's sad this is the last time they will host the Globes, unless they change their minds. "They were so good," gushed Meyers. "They belong in the hosting hall of fame."
8:52 p.m. The party is only peppered with random talent after most of NBCUniversal's nominees walked away empty-handed at the ceremony: The Theory of Everything's Felicity Jones, her director James Marsh and Universal Pictures chairman Donna Langley are among the few big names in attendance immediately post-show.
20th Century Fox Film and TV/Fox Searchlight/FX party, The Fox Pavilion at the Golden Globes:
9:30 p.m. Wes Anderson and crew were beaming as they settled into a roped-off corner of the Fox party to celebrate the best picture win for The Grand Budapest Hotel. Edward Norton, Owen Wilson, Adrien Brody and Jeff Goldblum (members of the ensemble cast) were on hand, along with well-wishers Mark Ruffalo, Claire Danes, Kristen Wiig, Bennett Miller — and Khloe Kardashian. Bill Murray, who also stars in the Fox Searchlight film, wished Anderson well from the mezzanine.
9:25 p.m Bill Murray is overhead telling one stranger, "You look like $794 million dollars of fun."
Read more Golden Globes: Paramedics Called After Attendee Passes Out
9:08 p.m. The Birdman table with director Alejandro Gonzalez Inarritu and his Golden Globe-winning writers is swarmed by people congratulating the team.
9:02 p.m. Bill Murray mumbles song lyrics while he snakes his way past the bar in a conga line with his fellow partygoers.
8:35 p.m. Fargo executive producer Warren Littlefield introduces star (and Globe winner) Billy Bob Thornton to Fox Networks Group chief Peter Rice, who thanked the actor for his "incredible performance." By the entrance to the party, Kristen Wiig, Owen Wilson and Mark Ruffalo dance to Whitney Houston. Minutes later, Michael Keaton was ushered through the crowd to the Birdman table. Just outside the door, Emma Stone was getting some help with a minor wardrobe malfunction.
7:30 p.m. Huge applause at the Fox viewing party as Michael Keaton wins best actor for Birdman.
6:10 p.m. SunTrust banker Christa Thomas at the Fox party is rooting for films her bank has helped finance including Birdman and Big Eyes. "I want to see Birdman fly high," says Thomas.
See more Golden Globes 2015: The Top 10 Best-Dressed
5:25 p.m. When Fargo won best miniseries, Julie Ann Emery jumped out of her chair and threw her arms in the air cheering and nearly crying with joy. Emery stars on Fargo as Ida, the pregnant wife of the sheriff. She also stars in AMC's upcoming Better Call Saul. This is Emery's first time at the Globes: "It feels surreal. I'm used to being home with a bowl of popcorn in my jammies."
Saturday, Jan. 10
CBS/CBS Films/Showtime/The CW at Soho House:
10:45 p.m. Ray Donovan star Liev Schreiber attends the party with his TV wife, played by Paula Malcolmson, and his co-star Jon Voight. Schreiber says they start shooting the third season of the hit Showtime series later in January, with 12 new episodes on tap. Voight was with his producing partner Steven Paul, who says as soon as Voight finishes shooting Ray Donovan, he is set to star in a movie for the Hallmark Channel called J.L. Ranch. Paul describes it as “Dallas meets Game of Thrones.” Paul's company Crystal Sky is selling the movie worldwide.
10:05 p.m. Spotted: Jorge Granier and Gary Pearl, producers of hot new CW series Jane the Virgin, which just won a People's Choice Award and AFI honor and is nominated at the Golden Globes for best TV comedy and best comedy actress for star Gina Rodriguez. Granier worked on the original telenovela in his home country of Venezuela and brought it to the U.S. in partnership with Pearl.
9:52 p.m. Hip-hop impresario Russell Simmons sips green-pressed juice inside the fete and chats with two women inside the beautifully appointed garden room in Soho House.
9:40 p.m. Mike Colter from The Good Wife says he doesn't think the show will win, even though it deserves to. "We're the Susan Lucci. We're so good year after year, they figure we'll be around, and so they give it to some new show that will be gone in two years."
9:15 p.m. Actor Dominic West pulls double duty at the Soho House fete honoring Globes nominees from CBS, Showtime, CW and CBS Films. The lead drama actor nominee for Showtime's The Affair was also present at the party for CBS Films' comedy/musical feature film nominee Pride, in which he stars. "I actually keep forgetting about that one!" he joked with THR. "No ... I loved making that movie. It's a great film because you laugh and cry."
9:08 p.m. Producer John Wells and wife Marilyn celebrate the new season of Shameless on Showtime and a movie he just directed starring Bradley Cooper.
Anonymous Content party at Rivabella:
10:40 p.m. The Imitation Game director Morten Tyldum arrives and says he is overwhelmed at the number of people he's been meeting on the awards circuit: "I come from a small town in a small European country, so this is a bit overwhelming." But the Norwegian adds that he is gratified by this rare opportunity.
10 p.m. Shane Black, accompanied by a blond Russian beauty, says he is almost done shooting The Nice Guys. Also in attendance are Patrick Stewart, Emmy Rossum, Ed Helms, Rectify creator Ray McKinnon, Tom Ortenberg and Magic Mike XXL director Gregory Jacobs.
9:40 p.m. Joshua Jackson shows up at with Diane Kruger and heads to a back table.
4th Annual Sean Penn & Friends Help Haiti Home Gala at the Montage Hotel:
9:58 p.m. Ben Stiller (pictured at left with Kevin Nealon) exits through the back to go home, but is spotted by the bar outside chatting with David Spade. Three minutes later, he's spotted heading toward the valet.
9:57 p.m. Stiller interrupts the auction to take the stage, saying he needs to get home to tell his wife that he spent $150,000 (see 9:43 p.m.). He also makes a plea for Haiti funds and further development.
9:56 p.m. Three $500,000 bids are accepted to join Penn and Clinton on a trip to Haiti.
9:43 p.m. Rachel Zoe stands during the live auction when prompted by the Sotheby’s auctioneer to make a special plea for the lot she was involved in setting up, “The Ultimate Fashion Experience Curated by Rachel Zoe,” estimated at a value of $250,000. “Serious, serious, serious” is how Zoe describes the lot, calling the items “one-of-a-kind.” It sells to Stiller for $150,000.
9:33 p.m. Penn announces that there will be a special musical guest after the live auction, adding, “We had U2 last year. We aren’t going downhill this year. I have come through on my side of the bargain.” It’s rumored that Red Hot Chili Peppers will perform.
9:17 p.m. Bill Clinton commands the room, detailing many anecdotes from his time in Haiti, both with Penn and without. He also mentions that he spent New Year’s Eve in the Dominican Republic with wife Hillary. Rainn Wilson gets up from his table, moves to the side of the room to get a more panoramic shot of Clinton on stage. Nine minutes later, Clinton wraps up his remarks by saying that Haitians need a “hand up” not a “hand out,” adding, “They are worth what you are giving them tonight” in the live auction.
9:03 p.m. Penn takes to the stage to honor Clinton and gives the former president a long introduction marked by highlights of his career. He says that Clinton retired at the same age that Penn is today before launching an even more active philanthropic career. Clinton takes the stage as will.i.am exits a back door, waving goodbye to several guests indicating that he’s not coming back.
8:34 p.m. Charlize Theron is led backstage by one of the event staff to prep for her part of the evening, introducing Richard Hotes. Theron takes the stage, calling Hotes a “task master,” “ditch digger” and a “man who likes to work with his hands.” Hotes thanks Theron, as the actress takes her seat, saying that her words were “kind and generous” and adding that he’s inspired to live up to them. His speech lasts more than 20 minutes and includes jokes, his list of pet peeves and meandering thoughts with a big lead-up to a poem that he wrote for the occasion titled “Hero.” The crowd gets restless during Hotes’ remarks. Ellen Pompeo leans over Samantha Ronson’s empty chair (she’s in the restroom) and whispers to Piers Morgan. At 9 p.m., Hotes wraps up his speech as the crowd applauds. Six people give him a standing ovation.
8:25 p.m. A surprise musical performer is introduced … Chris Martin of Coldplay (minus Coldplay). The international superstar performs “Magic.” The crowd erupts when Martin announces he’ll be performing a second song. “If you like it, donate. If you don’t like it, I’ll f— off,” he says. He performs “Viva la Vida” and the crowd loves every second of it, with many of them singing along.
8:19 p.m. Bill Clinton (pictured at right), a special honoree of the night, is seen introducing himself to Rozzi Crane while will.i.am joins them to also make an introduction and congratulate her on an amazing performance. Later, Crane tells THR
that it was indeed a big moment for her and she’d love to collaborate
with the Black Eyed Peas hitmaker. As for Clinton? “He was really great
and told me about his saxophone days,” she says.
8:14 p.m. Ashton Kutcher accepts well wishes from a bearded man who tells the actor, “You look really happy.”
8:10 p.m. Penn darts out the back of the ballroom, exiting in the east corner of the room almost unnoticed. David Spade is one of the guests in the bar right outside the ballroom, sitting on the leather sofa with a female guest.
8:00 p.m. Harvey Weinstein chats with Rebecca Gayheart as Samantha Ronson gets out of her seat and heads over to say hello to Guy Oseary and Chris Martin.
7:55 p.m. During a 30-minute break for dinner service, Martin stands in the center of the room, flanked by Oseary and Josh Hutcherson, all standing in front of Penn’s table, where an animated Theron is overhead telling Bryan Lourd about “hitting a wall and I said, ‘We gotta go!' ”
7:52 p.m. Mila Kunis and Ashton Kutcher are spotted sitting at a dimly lit table next to the double doors in the back center of the ballroom as Kutcher’s longtime pal Jason Goldberg (aka Soleil Moon Frye’s husband) stands over them chatting with another friend. “They look scared,” says one reveler, referring to new parents Kunis and Kutcher. Maybe they’re just missing their daughter?
7:50 p.m. Rachel Zoe leans down to chat with Rebecca Gayheart and Ellen Pompeo at the table where the two ladies are sitting as Piers Morgan and Samantha Ronson look on from the same table.
7:43 p.m. Crane takes the stage and dedicates the song she will sing to all the donors in the room. The tune? Marvin Gaye's "Let's Get It On."
7:24 p.m. Ellen Pompeo and her husband enter late as Laurent Lamothe, former prime minister of the Republic of Haiti, speaks about how his country has rebounded from the tragic earthquake.
Pompeo's husband walks toward their table as she stands by the door still. "Come on," he says, waving his arm as she reluctantly follows, appearing as if she wants to be respectful to the speaker.
7:13 p.m. Douglas Brinkley announces that he's replacing Anderson Cooper as the emcee of the night because Anderson Cooper (who was announced as the night's capable host) is needed by CNN in France reporting on the tragic news out if Paris. Brinkley praises Penn as a "doer" and then asks his children Dylan and Hopper to stand in recognition of supporting their father in his relief efforts in Haiti. They stand, and the lights come on.

From left: Reese Witherspoon, Charlize Theron and Salma Hayek at Penn's party (AP photo)
7:11 p.m. Penn is the first person seated at his table. He reaches for a bread crisp and sips on water.
7:04 p.m. How's this for two stars on the carpet at the same time? Ben Stiller and Michael Bolton.
6: 52 p.m. Salma Hayek tells E!'s Marc Malkin that she's wearing Stella McCartney as Rebecca Gayheart taps her on the shoulder to say hello.
6:49 p.m. Penn says how grateful he is to all of his friends and co-stars for their support of his charity and his work in Haiti. And then he's asked about his New Year's resolution, to which he says, "I keep breaking it," as he motions to taking a puff off a cigarette.
6:48 p.m. Rachel Zoe tells a gaggle of journos that she's wearing her own Rachel Zoe collection dress because it's "comfortable."
6:44 p.m. Reese Witherspoon has arrived, marking the first Globes nominee to show up.
6:38 p.m. Bryan Lourd peers over toward the carpet as Sean Penn does an interview with Extra. Meanwhile, a low-key Josh Hutcherson grabs a drink at the bar and ducks away from the flashbulbs.
6:32 p.m. Penn and Theron arrive to crazy flashbulbs. They pose together for less than a minute. She leans over and gives him a kiss, then poses solo for another 20 seconds and then darts off the carpet to leave Penn to promote his event on his own.
6:30 pm. Garcelle Beauvais and Soleil Moon Frye are on the white carpet doing interviews as Kevin Nealon arrives. The event is set to start at 6:40 pm. Looks like it's going to start late. It's raining in L.A., which means everything is running behind, and traffic is terrible.
BAFTA Tea at the Four Seasons Hotel:
5:30 p.m. Nightcrawler director Dan Gilroy and actress wife Rene Russo are stuck in the Four Seasons valet line and decide to sit it out in the lobby for 40 minutes while the line shortens.
4:35 p.m. Felicity Jones sips tea in an Erdem black tiered print dress and red heels as the room reaches crowd capacity and does not seem to thin out.
4:34 p.m. Rosamund Pike (pictured at right) arrives in an Alexander McQueen minidress and is immediately stormed by British friends.
4:30 p.m. The Affair's
Dominic West, who flew in from London last night, said he was doing
well with his jet lag but not with the rain. "It's like BAFTA imported
it for this party straight from London," he says.
Read more Golden Globes: Organizers Reveal Rainy Day Plans
4:20 p.m. Jamie Dornan, nearly unrecognizable in full beard, is cornered by British journalists.
4:15 p.m. Marion Cotillard arrives in a different dress than what she wore to the Indie Spirit brunch, greets composer and fellow Frenchman Alexandre Desplat and quickly leaves.
4:10 p.m. Eddie Redmayne arrives with new wife Hannah Bagshawe and is overwhelmed by British friends and fans at his entourage-filled entrance.
4 p.m. Rene Russo arrives and doesn't know what she's wearing, so she asks a reporter to look at the label of her white blouse, worn with chic white trousers. Derek Lam. "Thank God you told me," she declared.
3:55 p.m. Theory of Everything star Felicity Jones holds a mimosa while chatting with director Edgar Wright at the center of the ballroom.
3:45 p.m. Fargo's Allison Tolman arrives, almost unrecognizable in makeup and curled hair. "I just moved to Hollywood from Chicago," she tells THR.
3:40 p.m. Steve Carell, Julian Fellowes, James Corden, Joanne Froggatt and The Missing's Frances O'Connor arrive.
3:30 p.m. Keira Knightley arrives with her husband, and she's looking very pregnant in a summery peach cotton long dress by Hermes.
3:24 p.m. Director Edgar Wright hasn't been to the BAFTA tea event for a couple years but says he's dropped by because many of his friends are attending this year, including Lego Movie directors Chris Miller and Phil Lord. He says he's got many friends nominated this year but "that won't sway my votes. ... I'll go with the best performances."
3:15 p.m. Kit Harington, Sarah Hyland and Jay Duplass spotted chatting.
3:05 p.m. Anna Kendrick arrives in a very spring-looking white eyelet Andrew Gn dress in the midst of the Saturday pouring rain.

Boyhood's Ellar Coltrane and Patricia Arquette at the BAFTA Tea. (Photo by Chris Pizzello/Invision/AP)
3 p.m. Whiplash star Miles Teller arrives with PR rep Sue Patricola and tells a reporter, "I'm wearing Zegna," about his sharp tobacco-colored suit. "But I will surprise you tomorrow because I don't even know what I'm wearing to the Globes myself!"
3 p.m. Teller, looking lean after shooting the boxing drama Bleed for This, says that Robert Duvall recently pulled him aside and spoke with him for an hour about how much he loved the intense drumming drama. "I just really respect the history of acting. So it's nice that these actors I admire are seeing a move I'm in," Teller says.
2:45 p.m. Boyhood's Ethan Hawke is spotted hovering over the tea selections. "Which one is best?" he asked a server. Asked how he was enjoying Globes weekend, he seemed overjoyed. "I'm digging it, man! How could you not have fun when you're here with a movie you love?"
2:30 p.m. Patricia Arquette arrives wearing Escada and begins to introduce people to young Boyhood star Ellar Coltrane, in sneakers — he was too shy to do interviews without her.
2:28 p.m. Jaeden Lieberher, the 12-year-old star of St. Vincent, joined the film's director and admitted he was "very intimidated by Bill Murray and Naomi Watts and Melissa McCarthy at first — but once we started to work together, I realized how nice they all are. This was my first movie, but I've already gotten cast in another one."
2:15 p.m. St. Vincent director Ted Melfi was one of the first to arrive. How did he explain Naomi Watts' hilarious Russian accent in the film in which she plays a Russian hooker? "Naomi was very precise about [it] — she worked with a dialect coach for months. She wanted the perfect Brooklyn Russian accent."
2014 Film Independent Filmmaker Grant and Spirit Awards Nominees Brunch at Boa Steakhouse:
1:55 p.m. Jessica Chastain is swarmed by fans when leaving Boa. Despite the rain, she stops and signs autographs on the way to her car.
1:50 p.m. Whiplash director Damien Chazelle is buzzing with energy after meeting Selma director Ava DuVernay. "I've gotten to meet people I really admire. That's the most fun part of this," he says. He adds he was surprised that he found out too late that his script would be in the adapted category for the Oscars, as he thought after the WGA placed it in original that it would be the same for the Academy. "But I'd be happy to be nominated in any category," he says with a smile.
1:38 p.m. The cast and filmmakers behind Boyhood have taken over a table in the dining room, squishing into a round booth. John Sloss, IFC Films' Jonathan Sehring, Patricia Arquette, Ethan Hawke, Richard Linklater and Ellar Coltrane sit together and have an animated conversation as the party begins to thin out.
1:31 p.m. The Lego Movie co-director Phil Lord, about to exit the brunch at Boa on his way to the BAFTA tea, says he loves the chance to chat with other people he doesn't get to see much when he's working. "The nicest thing about the whole season is you get to hang out with other filmmakers," he tells THR. He had just chatted with Whiplash helmer Damien Chazelle, and they discovered they live only a couple blocks from each other in Venice. He also tells THR that he convinced a fan who asked to take a photo with him earlier that he was Emile Hirsch.
12:15 p.m. Carmen Ejogo (Selma) enters the crowded party wearing a Tonya Taylor dress. She says she's not too worried about the rain. "My hair's not going to do so well," she says. Party-hopping between several events, she says that awards season has taught her time management. "That's the thing the whole season teaches you. How to manage your time and know when to move on to the next thing." When asked about the recent controversy around LBJ's portrayal in Selma, she says she expected the film to be tested as it gains momentum in the awards race — and that it has passed any tests. "But I do encourage anyone who sees any historical film to be inspired to then read more about it on their own," she says.

Selma's Carmen Ejogo arrives at Boa. (Photo by Chris Pizzello/Invision/AP)
W Magazine Luncheon at A.O.C.:
1:58 p.m. Lunch is served. Kim Kardashian is having the A.O.C. burger for lunch with manchego, romesco aioli and balsamic onions on buttered brioche. But no buttered brioche for her; she's eating the meat with a knife and fork and no bun.
12:58 p.m. W editor-at-large Lynn Hirschberg addresses the full terrace of stylish ladies, saying she always wanted to be an "It" girl when she moved to New York years ago. But she realized later that it doesn't matter how old you are, to be an "It" girl, you "just have to have a dream and follow it through." It's all about having an "impact."
12:55 p.m. Sarah Hyland tells THR that she is coming off a workout spree after going on a Taco Bell bender during the holidays. "I was really bad," she laughed.
12:53 p.m. Kardashian walks out on the A.O.C. terrace to say hello to Gigi Hadid, who is chatting with Nicola Peltz.
12:45 p.m. Kardashian says yes to a photographer's request to pose next to Allison Williams as Kim's publicist says, "You're very well-coordinated!"
Friday, Jan. 9
W Magazine Shooting Stars Exhibit, at The Wilshire May Company Building:
8:57 p.m. Jason Wu is smoking a cigarette in the parking lot near the valet and suddenly hops like a bunny three times and a woman with puffy snowball earrings laughs.
8:28 p.m. Rachel Zoe exits the party and jumps into the backseat of a waiting Tesla. Her husband, Rodger Berman, gets in the front.
8:03 p.m. Jason Wu clutches a glass of champagne in the black carpet and motions to a security guard to let Jared Eng in to the party. Only problem is the door is closed again by security because the W party is at capacity. However, Eng gets in while dozens of guests wait behind the black suede rope. "It's crazy in there, you can't even move!" says one guest after coming out the double doors of the exhibit.
7:45 p.m. When Miley Cyrus finally shows up, in a stunning white jumpsuit, she does photo ops and barely speaks to anyone except to announce "Balmain!!!!" when asked about her stark, white-hot look.
7:31 p.m. Actress Bai Ling is here, and dressed like Madonna circa 1984.
7:18 p.m. NBC chief Robert Greenblatt is one of the first guests to arrive at the photo exhibit and stops to tell THR that he's ready for the weekend and confident that they've got a "really good team" with Golden Globes hosts Tina Fey and Amy Poehler.
Thursday, Jan. 8
Stefano Tonchi, Lynn Hirschberg and Andre Balazs Celebrate W's Best Performances Portfolio and Toast the Golden Globes, at the Chateau Marmont:
10:30 p.m. Best actress nominee Rosamund Pike looks cozy at a corner table in the lobby bar, ordering food with a man who looks like her husband and actor Jason Clarke. The party is still going on upstairs, though no guests are being allowed to enter because the bash is at capacity.
9:45 p.m. Near the door, Andre Balazs is there with a handshake for THR. "Thanks for coming," he says. Nice touch. In the lobby, Heather Locklear, in bright red booties and a lacy black dress, stands with three men debating whether to wait for an elevator or take the stairs.
9:42. p.m. Aziz Ansari walks onto the terrace, where Paris Hilton is now dancing while Robert Duvall shares a seat next to the fire with Miles Teller. Two near-empty wine glasses are next to Teller, who hasn't left the legend's side in nearly 30 minutes.

Miles Teller and Eddie Redmayne. (Photo by PatrickMcMullan.com via AP Images)
9:37 p.m. Untitled manager Jason Weinberg leads nominee Eddie Redmayne to the terrace ledge to say hi to Henry Cavill and receive a big hug from Gillian Anderson, who has striking blond hair. "Blond! blond!" she tells THR about the shade.
9:20 p.m. Models do eat. Cara Delevingne pushes past Anderson to take a seat on one of the outdoor terrace leather ottomans with a giant plate of food.
8:53 p.m. W editor Stefano Tonchi chats up a glowing Jessica Chastain. Meanwhile at the same time in a terrace corner, Amy Adams and her Man of Steel co-star Henry Cavill are catching up and laughing while Adams' partner Darren Le Gallo stands next to her.
8:38 p.m. "It" model-turned-actress Cara Delevingne arrives and stands in the doorway to the terrace as Jessica Chastain and Gillian Anderson engage in a lengthy chat.
8:29 p.m. What do you do when you want to hear some Michael Jackson at a party? You ask the DJ to play it and then you jump behind the turn tables! That's exactly what Quvenzhane Wallis did. But she played the precocious Annie, so she gets away with stuff like that.
8:14 p.m. Producer Steve Tisch laughs to THR, saying though he may not have any films with Globes noms this year, he's stoked about his potential Razzie nomination for 2014's Sex Tape. And he really wants to win!
8:01p.m. Interstellar star Mackenzie Foy, who played the young version of Jessica Chastain's character, ambushes Quvenzhane Wallis
— who is seated outside with a small entourage — to introduce herself
to her young acting peer. Both have Broadcast Film Critics Association
Awards noms, one of the reasons she wanted to say hi. Meanwhile, Foy tells THR how excited she is to head into high school next year. But not really. She's home schooled, and wants to keep it that way.
7:55 p.m. Andre Balazs, Chateau owner and one of tonight's VIP hosts, tells THR he feels at home at the event but he won't stay that way for long. On Sunday night, he gets on a plane to London for a special Tom Ford dinner to celebrate his new line at the Chiltern Firehouse, London's hottest and most exclusive club.
7:42 p.m. Reese Witherspoon has fashion on the brain, holding court on the terrace with WWD's Marcy Medina and veteran fashion journo Derek Blasberg while her publicist stands nearby.
AUDI, held at Cecconis in West Hollywood:

Naomi Watts and Liev Schreiber at the Audi party carpet. (Photo by Omar Vega/Invision/AP)
9: 30 p.m. Liev Schreiber and Naomi Watts breeze by — "Yeah, I borrowed this from my friend who's a fit model. She gets all kinds of dresses from labels. This one's by Burning Torch."
9:08 p.m. Bad Judge's Kate Walsh seems to be enjoying the music as she shimmies away in her strapless, hologram-like dress, while enjoy a glass of champagne.
The Hollywood Reporter was on the scene at the biggest bashes and documented all of the happenings leading up the Globes, as well as the exclusive celebrations following Sunday's show.
See more Golden Globes' Most Memorable Moments
Sunday, Jan. 11
The Weinstein Co. and Netflix party, Robinsons-May Lot:
12:09 a.m. Robin Wright nuzzles into Ben Foster's shoulder and he kisses her on the cheek.
11:58 p.m. Rosamund Pike tells a friend, "We have a car, don't worry," as she heads toward the exit but then stops to chat with an actor who looks like Tom Felton.
See more Golden Globes 2015: The Red-Carpet Arrivals
11:39 p.m. Ben Foster leads Robin Wright through the party, hand in hand. It's thinning out as most of the celebs have moved on and other revelers are left sipping Moët and eating Fat Burgers and fries and dancing wildly to 2Pac.
11:20 p.m. Taylor Swift unscrews a bottle of water and then suddenly her song "Blank Space" comes on. Her reserved section goes nuts as Lorde and Jaime King jump to their feet. Taylor jumps up, lip syncs along to her own song for a few seconds and then crashes back down on the sofa and shakes her head to the beat, looking giddy and happy. Security rushes to a fan who tries to snap a pic of the candid moment and sternly says, "Don't even try it!"
11:19 p.m. Naomi Campbell chats with Harvey's wife on the sofa.
11:17 p.m. With his tie now undone, The Affair star Joshua Jackson does a shuffle toward the bar and dances to "Funkytown," clearly stoked about his show's win for best TV drama.
11:03 p.m. Scott Eastwood approaches a security guard and asks very loudly, "Where's the bar?!" as his blond date says, "Scott, ready, set, go!!" Coincidentally Aretha Franklin's "Freeway of Love" is playing as the two speed off.
See more Golden Globes' Most Glittery Affairs
11:01 p.m. Supermodel Alessandra Ambrosio walks in from the outdoor patio and tells THR that she's cold because she's just come back from Brazil, where it's summer. Not helping matters is her dress, a merlot lace Zuhair Murad dress.
10:51 p.m. Supermodel Bar Refaeli says "Naomi!" as Naomi Campbell walks over and the two kiss each other hello. As Campbell walks away, one of Bar's friends says "I don't like her."
See more Golden Globes: The Winners
10:50 p.m. Shark Tank's Robert Herjavec stops 50 Cent on the red carpet between parties: "I'm so sorry, I'm just such a fan."
10:49 p.m. Diane Kruger and Joshua Jackson are squished into the middle of a large crowd of Fox, Weinstein and Netflix partygoers. "Which way is Netflix?" Jackson hollers over the crowd.
10:41 p.m. Jennifer Lopez and Benny Medina make a break for the door together, trailed by photographers, fans and security while CeCe Peniston's club hit "Finally" blasts throughout the party.
10:39 p.m. Harvey Weinstein leads Taylor Swift by the hand from the reserved section where she had been sitting with Jaime King over to J.Lo, where they hug moments after J.Lo gave a double kiss to Rita Ora. J.Lo motions for Taylor to say hi to Medina and the three of then chat for two minutes while J.Lo rests her arms on Benny's shoulders. Rita Ora covers her mouth laughing while sitting next to Georgina Chapman.
Read more Golden Globes: Amy Poehler, Tina Fey, Margaret Cho Joke About Sony Hack
10:27 p.m. Billy Bob Thornton makes it past security and into Harvey's section, where Harvey waves him over. Chanel Iman leaves, drink in hand.
10:22 p.m. Cara Delevingne goes to the bar with Rita Ora to order drinks but they are flanked by photographers. They head drinkless back to their table.
10:18 p.m. Weinstein's section is officially the place to be as J.Lo and Benny Medina are now joined by Adrien Brody,Cara Delevingne and Rita Ora. After posing for pics, Ora leads Delevingne out of the VIP section holding hands headed toward Cumberbatch's corner.
10:11 p.m. Sally Hawkins asks James Corden why so many people are crowded around Harvey Weinstein's table. He cranes his neck, sees Jennifer Lopez and giggles "Jo Lo."
Read more Golden Globes: 'Boyhood' Emerges on Top in a Night Full of Indie Film Winners
10:05 p.m. While waiting for their glasses of champagne at the bar, Downton's Joanne Froggatt, holding her Globe, and Laura Carmichael, who plays Lady Edith, get down to "Single Ladies." When their glasses of champagne arrive they all loudly cheer.
10:04 p.m. Avoiding the more crowded room at their Netflix party, Orange Is the New Black stars Uzo Aduba and Danielle Brooks dance — no, twerk — to "Single Ladies," in a circle with some of the series' writers and supporting cast.
10:02 p.m. Jeffrey Tambor poses with two fans, clutching his Globe.
9.59 p.m. A castmember from The Imitation Game is asked where Keira Knightley is and he says, "She had to go to the CAA thing."
Read more Golden Globes: 'Affair' and 'Transparent' Wins Punctuate a Big Night for Women
9.57 p.m. Geyer Kosinski is texting Robert Procop as he comes up behind him and peers over his shoulder. How's that for timing?
9.55 p.m. Jake Gyllenhaal poses for pics with Terrell Owens.
9:50 p.m. Jennifer Lopez, wearing white fur and a white dress, arrives at the booth next to Channing Tatum but then changes her mind and she and her entourage head for a different table next to Weinstein's.
9:49 p.m. A media powerhouse circle forms with TV journalists Gayle King, Shaun Robinson, Nancy O'Dell and Kevin Frazier.
Read more Golden Globes: The Complete Winners List
9:48 p.m. Channing Tatum and wife Jenna Dewan Tatum arrive and quickly head for a private booth.
9:46 p.m. Maggie Gyllenhaal and Salma Hayek leap up to yell for the attention of a server passing out Fat Burger sliders and fries.
9:45 p.m. A huge crowd forms in the center of the party as 50 Cent has a chat with Gayle King and Jake Gyllenhaal is telling an animated story and laughing. Flashbulbs go off like crazy.
9:44 p.m. Netflix chief content officer Ted Sarandos and Ricky Gervais engage in animated conversation at the streamer's shared fete with The Weinstein Co. Will Arnett, sandwiched between the two at their booth, laughs at Gervais.
9:41 p.m. Winner Ruth Wilson receives well-wishes from an HFPA member then poses for photos.
Read more Golden Globes: Who Got Snubbed
9:38 p.m. Weinstein declines a tray of Fat Burgers being pushed by a blond server as does everyone in his area. No fast food here. Maybe too early?
9:26 p.m. Brad Grey walks past Weinstein's section with a drink in his hand. When asked by THR where he's going next, the Paramount chief says, "Either home for Cheerios and bananas or to CAA. I haven't decided yet!" with a laugh.
9:24 p.m. Security is right near Weinstein's section with six guards keeping revelers out of his VIP area. At the next section over, The Imitation Game cast is holding court with Cumberbatch seated next to his pregnant fiancee. Dominic West chats nearby.
9:15 p.m. Jeffrey Katzenberg enters with a small entourage as Bill Murray passes by, escorted by Fox Searchlight's Melissa Holloway Blanchard.
9:13 p.m. Fifty Shades of Grey star Dakota Johnson sits down on the arm of the second couch in the room and immediately dangles her feet off the ground. She declined an interview request from a fashion journalist, only saying that she's wearing Chanel couture.
Read more George Clooney Wears Wedding Tux to Golden Globes
9:08 p.m. Dame Helen Mirren poses on the carpet and heads inside, just missing Amy Adams and a small entourage (including partner Darren Le Gallo) as they exit.
HBO party
10:56 p.m. Outside the HBO party, How to Train Your Dragon 2 director Dean DeBlois is standing in the Beverly Hilton lobby with a Golden Globe in one hand and a suitcase in the other.
10:30 p.m. Hotel mogul Rick Hilton and his wife Kathy (yes, Paris and Nicky's mom) are taking photos of the party scene and DJ with their phones.
10:15 p.m. HBO chief Richard Plepler and Game Change author John Heilemann chat at a center table while Matthew McConaughey (of True Detective's first season) and Vince Vaughn (of True Detective's second season) talk nearby. Comparing notes, perhaps? Minutes later, the actors meet up with True Detective creator Nic Pizzolatto along with The Comeback actress Malin Akerman outside on the patio.
10:05 p.m. The HBO party almost became a Midnight Cowboy reunion when star Jon Voight (and nominee for Showtime's Ray Donovan) appeared at the fete just as his Cowboy co-star Brenda Vaccaro was leaving.
Read more Golden Globes: 'Selma' Snubbed in Major Categories
10:00 p.m. Julianne Moore was still glowing at the HBO party after her Globes win for Still Alice. Was she surprised? "It was such a long evening, so by the time it happened it did feel surprising," said Moore.
9:40 p.m. Spotted: Debi Mazar and Sarah Hyland
9:30 p.m. Aniston gives a hug to Matthew McConaughey's wife, Camila Alves.
9:15 p.m. Monica Lewinsky looks deep in conversation with The Good Wife's Alan Cumming.
9:05 p.m. Squeals erupt in the Beverly Hilton ballroom as Taylor Swift and Lorde make their way to the HBO party. They stop on the way in to say hello to WME co-CEO Ari Emanuel and Dakota Johnson.
Read more Golden Globes: What You Didn't See on TV
9:05 p.m. Amazon CEO Jeff Bezos enters the party.
NBC/Universal Pictures/Focus Features/E! party at the Garage:
9:17 p.m. The Theory of Everything star and lead drama actor winner Eddie Redmayne arrives at the party amid the glare of flashbulbs and is mobbed by well-wishers.
9:07 p.m. Seth Meyers didn't want to talk about the success of his new late-night show. He was full of praise for his SNL pals Amy Poehler and Tina Fey, but he said he's sad this is the last time they will host the Globes, unless they change their minds. "They were so good," gushed Meyers. "They belong in the hosting hall of fame."
8:52 p.m. The party is only peppered with random talent after most of NBCUniversal's nominees walked away empty-handed at the ceremony: The Theory of Everything's Felicity Jones, her director James Marsh and Universal Pictures chairman Donna Langley are among the few big names in attendance immediately post-show.
20th Century Fox Film and TV/Fox Searchlight/FX party, The Fox Pavilion at the Golden Globes:
9:30 p.m. Wes Anderson and crew were beaming as they settled into a roped-off corner of the Fox party to celebrate the best picture win for The Grand Budapest Hotel. Edward Norton, Owen Wilson, Adrien Brody and Jeff Goldblum (members of the ensemble cast) were on hand, along with well-wishers Mark Ruffalo, Claire Danes, Kristen Wiig, Bennett Miller — and Khloe Kardashian. Bill Murray, who also stars in the Fox Searchlight film, wished Anderson well from the mezzanine.
9:25 p.m Bill Murray is overhead telling one stranger, "You look like $794 million dollars of fun."
Read more Golden Globes: Paramedics Called After Attendee Passes Out
9:08 p.m. The Birdman table with director Alejandro Gonzalez Inarritu and his Golden Globe-winning writers is swarmed by people congratulating the team.
9:02 p.m. Bill Murray mumbles song lyrics while he snakes his way past the bar in a conga line with his fellow partygoers.
8:35 p.m. Fargo executive producer Warren Littlefield introduces star (and Globe winner) Billy Bob Thornton to Fox Networks Group chief Peter Rice, who thanked the actor for his "incredible performance." By the entrance to the party, Kristen Wiig, Owen Wilson and Mark Ruffalo dance to Whitney Houston. Minutes later, Michael Keaton was ushered through the crowd to the Birdman table. Just outside the door, Emma Stone was getting some help with a minor wardrobe malfunction.
7:30 p.m. Huge applause at the Fox viewing party as Michael Keaton wins best actor for Birdman.
6:10 p.m. SunTrust banker Christa Thomas at the Fox party is rooting for films her bank has helped finance including Birdman and Big Eyes. "I want to see Birdman fly high," says Thomas.
See more Golden Globes 2015: The Top 10 Best-Dressed
5:25 p.m. When Fargo won best miniseries, Julie Ann Emery jumped out of her chair and threw her arms in the air cheering and nearly crying with joy. Emery stars on Fargo as Ida, the pregnant wife of the sheriff. She also stars in AMC's upcoming Better Call Saul. This is Emery's first time at the Globes: "It feels surreal. I'm used to being home with a bowl of popcorn in my jammies."
Saturday, Jan. 10
CBS/CBS Films/Showtime/The CW at Soho House:
10:45 p.m. Ray Donovan star Liev Schreiber attends the party with his TV wife, played by Paula Malcolmson, and his co-star Jon Voight. Schreiber says they start shooting the third season of the hit Showtime series later in January, with 12 new episodes on tap. Voight was with his producing partner Steven Paul, who says as soon as Voight finishes shooting Ray Donovan, he is set to star in a movie for the Hallmark Channel called J.L. Ranch. Paul describes it as “Dallas meets Game of Thrones.” Paul's company Crystal Sky is selling the movie worldwide.
10:05 p.m. Spotted: Jorge Granier and Gary Pearl, producers of hot new CW series Jane the Virgin, which just won a People's Choice Award and AFI honor and is nominated at the Golden Globes for best TV comedy and best comedy actress for star Gina Rodriguez. Granier worked on the original telenovela in his home country of Venezuela and brought it to the U.S. in partnership with Pearl.
9:52 p.m. Hip-hop impresario Russell Simmons sips green-pressed juice inside the fete and chats with two women inside the beautifully appointed garden room in Soho House.
9:40 p.m. Mike Colter from The Good Wife says he doesn't think the show will win, even though it deserves to. "We're the Susan Lucci. We're so good year after year, they figure we'll be around, and so they give it to some new show that will be gone in two years."
9:15 p.m. Actor Dominic West pulls double duty at the Soho House fete honoring Globes nominees from CBS, Showtime, CW and CBS Films. The lead drama actor nominee for Showtime's The Affair was also present at the party for CBS Films' comedy/musical feature film nominee Pride, in which he stars. "I actually keep forgetting about that one!" he joked with THR. "No ... I loved making that movie. It's a great film because you laugh and cry."
9:08 p.m. Producer John Wells and wife Marilyn celebrate the new season of Shameless on Showtime and a movie he just directed starring Bradley Cooper.
Anonymous Content party at Rivabella:
10:40 p.m. The Imitation Game director Morten Tyldum arrives and says he is overwhelmed at the number of people he's been meeting on the awards circuit: "I come from a small town in a small European country, so this is a bit overwhelming." But the Norwegian adds that he is gratified by this rare opportunity.
10 p.m. Shane Black, accompanied by a blond Russian beauty, says he is almost done shooting The Nice Guys. Also in attendance are Patrick Stewart, Emmy Rossum, Ed Helms, Rectify creator Ray McKinnon, Tom Ortenberg and Magic Mike XXL director Gregory Jacobs.
9:40 p.m. Joshua Jackson shows up at with Diane Kruger and heads to a back table.
4th Annual Sean Penn & Friends Help Haiti Home Gala at the Montage Hotel:
9:57 p.m. Stiller interrupts the auction to take the stage, saying he needs to get home to tell his wife that he spent $150,000 (see 9:43 p.m.). He also makes a plea for Haiti funds and further development.
9:56 p.m. Three $500,000 bids are accepted to join Penn and Clinton on a trip to Haiti.
9:43 p.m. Rachel Zoe stands during the live auction when prompted by the Sotheby’s auctioneer to make a special plea for the lot she was involved in setting up, “The Ultimate Fashion Experience Curated by Rachel Zoe,” estimated at a value of $250,000. “Serious, serious, serious” is how Zoe describes the lot, calling the items “one-of-a-kind.” It sells to Stiller for $150,000.
9:33 p.m. Penn announces that there will be a special musical guest after the live auction, adding, “We had U2 last year. We aren’t going downhill this year. I have come through on my side of the bargain.” It’s rumored that Red Hot Chili Peppers will perform.
9:17 p.m. Bill Clinton commands the room, detailing many anecdotes from his time in Haiti, both with Penn and without. He also mentions that he spent New Year’s Eve in the Dominican Republic with wife Hillary. Rainn Wilson gets up from his table, moves to the side of the room to get a more panoramic shot of Clinton on stage. Nine minutes later, Clinton wraps up his remarks by saying that Haitians need a “hand up” not a “hand out,” adding, “They are worth what you are giving them tonight” in the live auction.
9:03 p.m. Penn takes to the stage to honor Clinton and gives the former president a long introduction marked by highlights of his career. He says that Clinton retired at the same age that Penn is today before launching an even more active philanthropic career. Clinton takes the stage as will.i.am exits a back door, waving goodbye to several guests indicating that he’s not coming back.
8:34 p.m. Charlize Theron is led backstage by one of the event staff to prep for her part of the evening, introducing Richard Hotes. Theron takes the stage, calling Hotes a “task master,” “ditch digger” and a “man who likes to work with his hands.” Hotes thanks Theron, as the actress takes her seat, saying that her words were “kind and generous” and adding that he’s inspired to live up to them. His speech lasts more than 20 minutes and includes jokes, his list of pet peeves and meandering thoughts with a big lead-up to a poem that he wrote for the occasion titled “Hero.” The crowd gets restless during Hotes’ remarks. Ellen Pompeo leans over Samantha Ronson’s empty chair (she’s in the restroom) and whispers to Piers Morgan. At 9 p.m., Hotes wraps up his speech as the crowd applauds. Six people give him a standing ovation.
8:25 p.m. A surprise musical performer is introduced … Chris Martin of Coldplay (minus Coldplay). The international superstar performs “Magic.” The crowd erupts when Martin announces he’ll be performing a second song. “If you like it, donate. If you don’t like it, I’ll f— off,” he says. He performs “Viva la Vida” and the crowd loves every second of it, with many of them singing along.
8:14 p.m. Ashton Kutcher accepts well wishes from a bearded man who tells the actor, “You look really happy.”
8:10 p.m. Penn darts out the back of the ballroom, exiting in the east corner of the room almost unnoticed. David Spade is one of the guests in the bar right outside the ballroom, sitting on the leather sofa with a female guest.
8:00 p.m. Harvey Weinstein chats with Rebecca Gayheart as Samantha Ronson gets out of her seat and heads over to say hello to Guy Oseary and Chris Martin.
7:55 p.m. During a 30-minute break for dinner service, Martin stands in the center of the room, flanked by Oseary and Josh Hutcherson, all standing in front of Penn’s table, where an animated Theron is overhead telling Bryan Lourd about “hitting a wall and I said, ‘We gotta go!' ”
7:52 p.m. Mila Kunis and Ashton Kutcher are spotted sitting at a dimly lit table next to the double doors in the back center of the ballroom as Kutcher’s longtime pal Jason Goldberg (aka Soleil Moon Frye’s husband) stands over them chatting with another friend. “They look scared,” says one reveler, referring to new parents Kunis and Kutcher. Maybe they’re just missing their daughter?
7:50 p.m. Rachel Zoe leans down to chat with Rebecca Gayheart and Ellen Pompeo at the table where the two ladies are sitting as Piers Morgan and Samantha Ronson look on from the same table.
7:43 p.m. Crane takes the stage and dedicates the song she will sing to all the donors in the room. The tune? Marvin Gaye's "Let's Get It On."
7:24 p.m. Ellen Pompeo and her husband enter late as Laurent Lamothe, former prime minister of the Republic of Haiti, speaks about how his country has rebounded from the tragic earthquake.
Pompeo's husband walks toward their table as she stands by the door still. "Come on," he says, waving his arm as she reluctantly follows, appearing as if she wants to be respectful to the speaker.
7:13 p.m. Douglas Brinkley announces that he's replacing Anderson Cooper as the emcee of the night because Anderson Cooper (who was announced as the night's capable host) is needed by CNN in France reporting on the tragic news out if Paris. Brinkley praises Penn as a "doer" and then asks his children Dylan and Hopper to stand in recognition of supporting their father in his relief efforts in Haiti. They stand, and the lights come on.
From left: Reese Witherspoon, Charlize Theron and Salma Hayek at Penn's party (AP photo)
7:11 p.m. Penn is the first person seated at his table. He reaches for a bread crisp and sips on water.
7:04 p.m. How's this for two stars on the carpet at the same time? Ben Stiller and Michael Bolton.
6: 52 p.m. Salma Hayek tells E!'s Marc Malkin that she's wearing Stella McCartney as Rebecca Gayheart taps her on the shoulder to say hello.
6:49 p.m. Penn says how grateful he is to all of his friends and co-stars for their support of his charity and his work in Haiti. And then he's asked about his New Year's resolution, to which he says, "I keep breaking it," as he motions to taking a puff off a cigarette.
6:48 p.m. Rachel Zoe tells a gaggle of journos that she's wearing her own Rachel Zoe collection dress because it's "comfortable."
6:44 p.m. Reese Witherspoon has arrived, marking the first Globes nominee to show up.
6:38 p.m. Bryan Lourd peers over toward the carpet as Sean Penn does an interview with Extra. Meanwhile, a low-key Josh Hutcherson grabs a drink at the bar and ducks away from the flashbulbs.
6:32 p.m. Penn and Theron arrive to crazy flashbulbs. They pose together for less than a minute. She leans over and gives him a kiss, then poses solo for another 20 seconds and then darts off the carpet to leave Penn to promote his event on his own.
6:30 pm. Garcelle Beauvais and Soleil Moon Frye are on the white carpet doing interviews as Kevin Nealon arrives. The event is set to start at 6:40 pm. Looks like it's going to start late. It's raining in L.A., which means everything is running behind, and traffic is terrible.
BAFTA Tea at the Four Seasons Hotel:
5:30 p.m. Nightcrawler director Dan Gilroy and actress wife Rene Russo are stuck in the Four Seasons valet line and decide to sit it out in the lobby for 40 minutes while the line shortens.
4:35 p.m. Felicity Jones sips tea in an Erdem black tiered print dress and red heels as the room reaches crowd capacity and does not seem to thin out.
4:34 p.m. Rosamund Pike (pictured at right) arrives in an Alexander McQueen minidress and is immediately stormed by British friends.
Read more Golden Globes: Organizers Reveal Rainy Day Plans
4:20 p.m. Jamie Dornan, nearly unrecognizable in full beard, is cornered by British journalists.
4:15 p.m. Marion Cotillard arrives in a different dress than what she wore to the Indie Spirit brunch, greets composer and fellow Frenchman Alexandre Desplat and quickly leaves.
4:10 p.m. Eddie Redmayne arrives with new wife Hannah Bagshawe and is overwhelmed by British friends and fans at his entourage-filled entrance.
4 p.m. Rene Russo arrives and doesn't know what she's wearing, so she asks a reporter to look at the label of her white blouse, worn with chic white trousers. Derek Lam. "Thank God you told me," she declared.
3:55 p.m. Theory of Everything star Felicity Jones holds a mimosa while chatting with director Edgar Wright at the center of the ballroom.
3:45 p.m. Fargo's Allison Tolman arrives, almost unrecognizable in makeup and curled hair. "I just moved to Hollywood from Chicago," she tells THR.
3:40 p.m. Steve Carell, Julian Fellowes, James Corden, Joanne Froggatt and The Missing's Frances O'Connor arrive.
3:30 p.m. Keira Knightley arrives with her husband, and she's looking very pregnant in a summery peach cotton long dress by Hermes.
3:24 p.m. Director Edgar Wright hasn't been to the BAFTA tea event for a couple years but says he's dropped by because many of his friends are attending this year, including Lego Movie directors Chris Miller and Phil Lord. He says he's got many friends nominated this year but "that won't sway my votes. ... I'll go with the best performances."
3:15 p.m. Kit Harington, Sarah Hyland and Jay Duplass spotted chatting.
3:05 p.m. Anna Kendrick arrives in a very spring-looking white eyelet Andrew Gn dress in the midst of the Saturday pouring rain.
Boyhood's Ellar Coltrane and Patricia Arquette at the BAFTA Tea. (Photo by Chris Pizzello/Invision/AP)
3 p.m. Whiplash star Miles Teller arrives with PR rep Sue Patricola and tells a reporter, "I'm wearing Zegna," about his sharp tobacco-colored suit. "But I will surprise you tomorrow because I don't even know what I'm wearing to the Globes myself!"
3 p.m. Teller, looking lean after shooting the boxing drama Bleed for This, says that Robert Duvall recently pulled him aside and spoke with him for an hour about how much he loved the intense drumming drama. "I just really respect the history of acting. So it's nice that these actors I admire are seeing a move I'm in," Teller says.
2:45 p.m. Boyhood's Ethan Hawke is spotted hovering over the tea selections. "Which one is best?" he asked a server. Asked how he was enjoying Globes weekend, he seemed overjoyed. "I'm digging it, man! How could you not have fun when you're here with a movie you love?"
2:30 p.m. Patricia Arquette arrives wearing Escada and begins to introduce people to young Boyhood star Ellar Coltrane, in sneakers — he was too shy to do interviews without her.
2:28 p.m. Jaeden Lieberher, the 12-year-old star of St. Vincent, joined the film's director and admitted he was "very intimidated by Bill Murray and Naomi Watts and Melissa McCarthy at first — but once we started to work together, I realized how nice they all are. This was my first movie, but I've already gotten cast in another one."
2:15 p.m. St. Vincent director Ted Melfi was one of the first to arrive. How did he explain Naomi Watts' hilarious Russian accent in the film in which she plays a Russian hooker? "Naomi was very precise about [it] — she worked with a dialect coach for months. She wanted the perfect Brooklyn Russian accent."
2014 Film Independent Filmmaker Grant and Spirit Awards Nominees Brunch at Boa Steakhouse:
1:55 p.m. Jessica Chastain is swarmed by fans when leaving Boa. Despite the rain, she stops and signs autographs on the way to her car.
1:50 p.m. Whiplash director Damien Chazelle is buzzing with energy after meeting Selma director Ava DuVernay. "I've gotten to meet people I really admire. That's the most fun part of this," he says. He adds he was surprised that he found out too late that his script would be in the adapted category for the Oscars, as he thought after the WGA placed it in original that it would be the same for the Academy. "But I'd be happy to be nominated in any category," he says with a smile.
1:38 p.m. The cast and filmmakers behind Boyhood have taken over a table in the dining room, squishing into a round booth. John Sloss, IFC Films' Jonathan Sehring, Patricia Arquette, Ethan Hawke, Richard Linklater and Ellar Coltrane sit together and have an animated conversation as the party begins to thin out.
1:31 p.m. The Lego Movie co-director Phil Lord, about to exit the brunch at Boa on his way to the BAFTA tea, says he loves the chance to chat with other people he doesn't get to see much when he's working. "The nicest thing about the whole season is you get to hang out with other filmmakers," he tells THR. He had just chatted with Whiplash helmer Damien Chazelle, and they discovered they live only a couple blocks from each other in Venice. He also tells THR that he convinced a fan who asked to take a photo with him earlier that he was Emile Hirsch.
12:15 p.m. Carmen Ejogo (Selma) enters the crowded party wearing a Tonya Taylor dress. She says she's not too worried about the rain. "My hair's not going to do so well," she says. Party-hopping between several events, she says that awards season has taught her time management. "That's the thing the whole season teaches you. How to manage your time and know when to move on to the next thing." When asked about the recent controversy around LBJ's portrayal in Selma, she says she expected the film to be tested as it gains momentum in the awards race — and that it has passed any tests. "But I do encourage anyone who sees any historical film to be inspired to then read more about it on their own," she says.
Selma's Carmen Ejogo arrives at Boa. (Photo by Chris Pizzello/Invision/AP)
W Magazine Luncheon at A.O.C.:
1:58 p.m. Lunch is served. Kim Kardashian is having the A.O.C. burger for lunch with manchego, romesco aioli and balsamic onions on buttered brioche. But no buttered brioche for her; she's eating the meat with a knife and fork and no bun.
12:58 p.m. W editor-at-large Lynn Hirschberg addresses the full terrace of stylish ladies, saying she always wanted to be an "It" girl when she moved to New York years ago. But she realized later that it doesn't matter how old you are, to be an "It" girl, you "just have to have a dream and follow it through." It's all about having an "impact."
12:55 p.m. Sarah Hyland tells THR that she is coming off a workout spree after going on a Taco Bell bender during the holidays. "I was really bad," she laughed.
12:53 p.m. Kardashian walks out on the A.O.C. terrace to say hello to Gigi Hadid, who is chatting with Nicola Peltz.
12:45 p.m. Kardashian says yes to a photographer's request to pose next to Allison Williams as Kim's publicist says, "You're very well-coordinated!"
Friday, Jan. 9
W Magazine Shooting Stars Exhibit, at The Wilshire May Company Building:
8:57 p.m. Jason Wu is smoking a cigarette in the parking lot near the valet and suddenly hops like a bunny three times and a woman with puffy snowball earrings laughs.
8:28 p.m. Rachel Zoe exits the party and jumps into the backseat of a waiting Tesla. Her husband, Rodger Berman, gets in the front.
8:03 p.m. Jason Wu clutches a glass of champagne in the black carpet and motions to a security guard to let Jared Eng in to the party. Only problem is the door is closed again by security because the W party is at capacity. However, Eng gets in while dozens of guests wait behind the black suede rope. "It's crazy in there, you can't even move!" says one guest after coming out the double doors of the exhibit.
7:45 p.m. When Miley Cyrus finally shows up, in a stunning white jumpsuit, she does photo ops and barely speaks to anyone except to announce "Balmain!!!!" when asked about her stark, white-hot look.
7:31 p.m. Actress Bai Ling is here, and dressed like Madonna circa 1984.
7:19 p.m. Cyrus, the co-host of tonight's event, is not yet here but
her publicist is checking with security to make sure that when she does
arrive the place is secure.
Thursday, Jan. 8
Stefano Tonchi, Lynn Hirschberg and Andre Balazs Celebrate W's Best Performances Portfolio and Toast the Golden Globes, at the Chateau Marmont:
10:30 p.m. Best actress nominee Rosamund Pike looks cozy at a corner table in the lobby bar, ordering food with a man who looks like her husband and actor Jason Clarke. The party is still going on upstairs, though no guests are being allowed to enter because the bash is at capacity.
9:45 p.m. Near the door, Andre Balazs is there with a handshake for THR. "Thanks for coming," he says. Nice touch. In the lobby, Heather Locklear, in bright red booties and a lacy black dress, stands with three men debating whether to wait for an elevator or take the stairs.
9:42. p.m. Aziz Ansari walks onto the terrace, where Paris Hilton is now dancing while Robert Duvall shares a seat next to the fire with Miles Teller. Two near-empty wine glasses are next to Teller, who hasn't left the legend's side in nearly 30 minutes.
Miles Teller and Eddie Redmayne. (Photo by PatrickMcMullan.com via AP Images)
9:37 p.m. Untitled manager Jason Weinberg leads nominee Eddie Redmayne to the terrace ledge to say hi to Henry Cavill and receive a big hug from Gillian Anderson, who has striking blond hair. "Blond! blond!" she tells THR about the shade.
9:20 p.m. Models do eat. Cara Delevingne pushes past Anderson to take a seat on one of the outdoor terrace leather ottomans with a giant plate of food.
8:53 p.m. W editor Stefano Tonchi chats up a glowing Jessica Chastain. Meanwhile at the same time in a terrace corner, Amy Adams and her Man of Steel co-star Henry Cavill are catching up and laughing while Adams' partner Darren Le Gallo stands next to her.
8:38 p.m. "It" model-turned-actress Cara Delevingne arrives and stands in the doorway to the terrace as Jessica Chastain and Gillian Anderson engage in a lengthy chat.
8:29 p.m. What do you do when you want to hear some Michael Jackson at a party? You ask the DJ to play it and then you jump behind the turn tables! That's exactly what Quvenzhane Wallis did. But she played the precocious Annie, so she gets away with stuff like that.
8:14 p.m. Producer Steve Tisch laughs to THR, saying though he may not have any films with Globes noms this year, he's stoked about his potential Razzie nomination for 2014's Sex Tape. And he really wants to win!
7:55 p.m. Andre Balazs, Chateau owner and one of tonight's VIP hosts, tells THR he feels at home at the event but he won't stay that way for long. On Sunday night, he gets on a plane to London for a special Tom Ford dinner to celebrate his new line at the Chiltern Firehouse, London's hottest and most exclusive club.
7:42 p.m. Reese Witherspoon has fashion on the brain, holding court on the terrace with WWD's Marcy Medina and veteran fashion journo Derek Blasberg while her publicist stands nearby.
AUDI, held at Cecconis in West Hollywood:
Naomi Watts and Liev Schreiber at the Audi party carpet. (Photo by Omar Vega/Invision/AP)
9: 30 p.m. Liev Schreiber and Naomi Watts breeze by — "Yeah, I borrowed this from my friend who's a fit model. She gets all kinds of dresses from labels. This one's by Burning Torch."
9:08 p.m. Bad Judge's Kate Walsh seems to be enjoying the music as she shimmies away in her strapless, hologram-like dress, while enjoy a glass of champagne.
Star Style at The Hollywood Reporter’s 5th Annual Power Stylist Luncheon
Amy Adams wore a grey and black Roland Mouret dress
Check out star style from the event below.
Emily Ratajkowski wore a black top with white shorts.
Gwen Stefani took on a black and white Dolce & Gabbana polka dot print dress.
Odeya Rush wore a Sachin & Babi Noir dress in black and white.
Olivia Munn opted for a Giambattista Valli spring 2015 dress in purple.
Zoe Saldana wore a Giambi dress in burgundy .
Zoe Saldana, Gwen Stefani and Amy Adams.
Monday, 10 August 2015
Amy Adams defends anti-cyber bullying bill as critics say free speech will be criminalised
Justice Minister Amy Adams defends the anti-cyber bullying bill rejecting criticism that free speech will be be criminalised or suppressed and insists not enacting new legislation “would be failing the public.”
Ms Adams says the Harmful Digital Communications Bill, due back in the House next week, has few changes. But it will now allow web hosts to “opt out” of ‘safe harbour’ clause and follow their own terms and conditions. The safe harbour provision gives publishers and others who run websites a grace period to remove offending material they did not realise was on their site.
“That’s completely up to the content host how they choose to work through that process. And that’s important, because we don’t want to compel hosts to take down information, because that would be a very unreasonable limit on the freedom of speech.”
If online content hosts choose the ‘safe harbour’ option, involving a 48-hour notice period, then they won’t be held liable for any action they take; but they will lose legal protection if they opt out.
Ms Adams says only in extreme cases will the bill result in criminal action being taken: "We have made sure that it is only where the person intends to cause significant harm to the victim and actual harm is caused.”
People who are offended by online satire will be able to complain and ask for take-downs under new law but says “the terms under the legislation make it quite clear that having a joke at someone’s expense will not meet the threshold.”
Playing down criticism, Ms Adams says the same goes for journalism: “I have no concern at all that genuine investigative information revealing things in the normal course of news media would be captured by this law.”
There will be no defence of truth under the new law. But citing revenge porn, Ms Adams says, “The fact that it happened doesn’t mean it’s not very damaging and inappropriate for that to be put up on the internet.”
She says the definition of harm as serious emotional distress will be unchanged
Law professor Ursula Cheer says she still has concerns about the bill and media could get dragged into complaints.
“That’s completely up to the content host how they choose to work through that process. And that’s important, because we don’t want to compel hosts to take down information, because that would be a very unreasonable limit on the freedom of speech.”
If online content hosts choose the ‘safe harbour’ option, involving a 48-hour notice period, then they won’t be held liable for any action they take; but they will lose legal protection if they opt out.
Ms Adams says only in extreme cases will the bill result in criminal action being taken: "We have made sure that it is only where the person intends to cause significant harm to the victim and actual harm is caused.”
People who are offended by online satire will be able to complain and ask for take-downs under new law but says “the terms under the legislation make it quite clear that having a joke at someone’s expense will not meet the threshold.”
Playing down criticism, Ms Adams says the same goes for journalism: “I have no concern at all that genuine investigative information revealing things in the normal course of news media would be captured by this law.”
There will be no defence of truth under the new law. But citing revenge porn, Ms Adams says, “The fact that it happened doesn’t mean it’s not very damaging and inappropriate for that to be put up on the internet.”
She says the definition of harm as serious emotional distress will be unchanged
Law professor Ursula Cheer says she still has concerns about the bill and media could get dragged into complaints.
The Harmful Digital Communications Bill will see the appointment of an approved agency (the Law Commission has nominated NetSafe), which will take complaints to social media sites like Facebook and Twitter that can be hard for individual people to make direct contact with.
It also has a provision for complaints about cyber bullying to be escalated to a district court judge. A post deemed a harmful digital communication is punishable by up to three months in prison or a fine of up to $2000. The bill also introduces a new incitement to suicide offence punishable by up to three years in prison.
RAW DATA: The Nation transcript: Lisa Owen interviews Justice Minister Amy Adams and law professor Ursula Cheer about the Harmful Digital Communications Bill
Watch the interview here
Amy Adams: Well, obviously when you’re dealing in the cyber medium, you’re not just dealing with a one-to-one conversation which can be hurtful and might be overheard by a few people. As we all know, these things can go viral and reach audiences literally of millions very, very quickly, so the damage to people’s reputation and to their mental health from this sort of abuse is significant. And, of course, it lasts forever. Once something’s on the Internet, unless it’s taken down and dealt with very carefully, it can be there for a long time, and the damage is repeated.
Lisa Owen: This bill is back in the House next week. Can you tell us what kind of changes you’re looking to make?
Well, really, over the course of the bill, we’ve just been looking to clarify some of the drafting and provisions, and of course there’s always some technical tidy-ups that the drafters find. So there’s going to be nothing staggering that’s new in the changes. There are a few areas where we want to, as I say, clarify, for example, how the safe harbour works, clarify that the fence regime covers a number of different options. So there’s a few tidy-ups of that nature.
Can you tell us a bit more about that? A safe harbour clause that you talked about then?
Yeah, well, the bill provides a safe harbour provision in it which makes it very clear that if you are what we call an online content host - so think your Trade Me message boards or the ISP who provide the net service - we don’t want them to be criminalised in this, so we’ve created a very specific process that they can follow - they don’t have to, but they can follow - of receiving the complaint, giving notice to the person who put the message up, and if they follow through that process, then they can’t be held in any way liable for any action they take. That’s not to say, of course, that the content host can’t do what they would want to do anyway. So take it down immediately if they think it’s offensive or follow their own terms and conditions. But it just provides a very clear legislative process that if they follow that, there can be no question at all of any liability for them.
All right. I want to talk through some examples a bit later, but can you tell me whether the definition of harm - because this is all about - whether a tweet or something that’s put out in cyberspace harms someone - is the definition of harm going to be the same? To cause emotional distress?
Yeah, look, we’re not changing that. This is a piece of legislation that we have to balance very carefully, and the select committee, I think, did a very good job of testing exactly where that balance needs to sit between protecting people from unfair cyber bullying but not going so far as to be an unreasonable limit on freedom of speech and free expression.
But in terms of the harm, causing harm, isn’t that kind of loose, subjective language that’s open to interpretation? How do you measure that? Because one person’s horseplay is another person’s bullying.
Yeah, that’s true, but it’s not actually unusual in the law to talk about concepts like reasonableness and whether a reasonable person would be upset by it, so that’s something the law is used to dealing with. And, as I said, the vast majority of cases will be dealt with by the approved agency who can’t compel anyone to do anything but to try and mediate between people to remove content that’s inappropriate. And it only becomes a legal issue if it really is at the very serious end of the spectrum. And harm in that sense can go from significant emotional distress right through to people potentially wanting to take their own lives. We’ve certainly seen that in cases like Charlotte Dawson and the like.
All right. Well, to help us understand this, let’s use an example. So, there is a post on The Nation’s Facebook page that calls Steven Joyce a lazy bludger, and it accuses him of racism and discrimination. So, let’s say Mr Joyce rings the host of our webpage under this law and says that it’s caused him harm or emotional distress, what happens under your law?
Well, there’s a couple of things. First of all, a politician is probably not the best example to use because we have an expectation that in our jobs, we are subject to a lot more abuse and criticism than the average person, and our thresholds adjust to that.
But there’s nothing in the bill that specifies that, is there?
No, that’s exactly right.
Right, so let’s use this example then. He rings in and says it’s caused him harm.
Okay, so there’s three players involved here. There’s the person who put up the information. So, the poster of the information. There’s the host - as you say, the site it’s on - and the complainant. So, the complainant can go to the online host and lodge a complaint. Now, the host, at that point, can choose to go down the safe harbour provision, which is a 48 hour notice receiving the information and then dealing with it. Or the online content host can choose to follow their own processes, which may be taking it down straight away, as they do now. It may be doing nothing further. So, that’s completely up to the content host how they choose to work through that process. And that’s important, because we don’t want to compel hosts to take down information, because that would be a very unreasonable limit on the freedom of speech. So there is an option there for the content host, and what happens is the approved agency would work with the parties to see if it can be resolved amicably between them.
You talked about the safe harbour provisions, but a host could conceivably take it down to avoid grief of the matter going any further. So that in itself, as the default position, could be censorship.
Well, that’s the position now. Right now, if you don’t like something that’s up on Facebook about you, you can ring Facebook and ask them to take it down. And right now, they’ll make their own assessment about whether they will or won’t. This doesn’t change that. What it does say is that there is a specific process that the host can use if they want to. And if they want to, then they can’t be held criminally liable for their decision.
And if they use that specific process, they can contact, can’t they, the person who has produced that item that’s caused the offence.
That’s right.
And those people have, at the moment, 48 hours to respond. That’s correct?
That’s right. Absolutely.
And if they don’t, if they’re unable to contact those people or they don’t get a response, the default position, if they want to use this clause to protect themselves, is they’ve got to take the material down, don’t they?
If they want to follow through the safe harbour provisions, that’s exactly right. But, as I’ve said, that’s entirely optional for them, and they can choose to use or not use that process.
So they can use their own terms and conditions, and then they’re on their own in terms of liability if they opt for that. If they use safe harbour, they get no response within 48 hours or can’t contact the person who has produced that material, then in order to be protected, they must take it down.
That’s right. They need to work with the approved agency to do that, but we have to have a process whereby it’s not an out to simply return a call. So, if you take a situation of revenge porn where someone’s put up very personal, very intimate photos or information about you on a website, you make a complaint under these provisions, and the online content host can’t get hold of anyone, you can’t have that remaining there for extended periods of time. We want there to be an adequate method of response, and I have every confidence that the approved agencies and the online content hosts will use that appropriately.
Okay. You talk about not wanting to suppress free speech, and Thomas Beagle from Tech Liberty has said this offence will criminalise all speech that causes harm, regardless of whether that speech has any other value. He’s right, isn’t he? It will criminalise-?
No, I don’t think he is at all. No, look, I don’t accept that at all. The criminal offence in the bill is for the very extreme end of harmful digital communications, and we have made sure that it is only where the person intends to cause significant harm to the victim and actual harm is caused. So you have to set out to want to hurt that person, and that person is in fact harmed.
Okay. Well, can we talk through a couple of examples, then. Jeremy Corbett and Paul Ego will come on this show shortly, and they will make someone the butt of their jokes. I think this week it’s Nick Smith. It goes up on our webpage. Now, what’s to stop someone asking for that to be taken down because they feel it’s harmed them or referring it to the agency or taking it to court? And then a lot of time and money is spent working out whether that’s a joke or it’s bullying.
So, you’re right. As I said before, people can complain, and people actually take cases to court under all sorts of provisions at the moment that there isn’t a proper basis for and they don’t proceed further. There’s always that balance between should they not be able to raise the issue, or should it be able to be raised and tested. I’m very comfortable that, actually, the terms under the legislation make it quite clear that having a joke at someone’s expense will not meet the threshold of causing the sort of harm that the bill anticipates.
Critics say that this is one of the types of cases that will get caught up in this bill and will waste time and money.
Well, I simply don’t agree with them. And, of course, if that is the case, then the law can always be looked at.
Can you say, Minister, that cartoons- the likes of cartoons, Minister. Can you say that those will be protected as well, like cartoons about Muhammad and Christ? And they cause a lot of people a lot of distress.
Look, it really- Whether there is a satirical drawing or some sort of other information is not the test; the test is the content of the information. So if the information in cartoon form or any other form created serious harm, incited racial hatred or the like, the same principles apply.
Well, for example, the Charlie Hebdo cartoons that obviously resulted in a number of lives being lost - sometimes the intent of cartoons is to stir, to create public debate.
Well, this bill isn’t going to criminalise anything that doesn’t set out to cause serious harm and serious harm is caused. And it will be for the court in each case to work out whether that test has been made. But what I can assure you is that that threshold is very high.
Will there be a defence of honestly held opinion or truth?
So, when you have offences that require- that prosecute people for intentionally causing serious harm to someone, I don’t think it’s okay to simply say, ‘Well, I think it’s reasonable,’ or ‘It’s my right to say it.’ The courts actually say if you’ve gone out to cause serious harm-
But what if it’s true? What if it’s true, Minister? What if the thing published in cyberspace is true?
Well, you have to be very careful, I think, Lisa. There’s a lot of what we’re talking about will be true in so far as that someone might have taken a recording of you doing someone incredibly intimate. Now, the fact that it happened doesn’t mean it’s not very damaging and inappropriate for that to be put up on the internet.
But what about let’s say- Let’s use an example of a politician who may be married and has campaigned on family values is then found to be having an affair, and that material is put up in a story in cyberspace. While it might be harmful to that individual, it is truthful. And the intent may be to undermine their political career, but it’s truthful, and it has some public value, perhaps, the story.
Look, it’s very difficult to start going through every single situation and trying to guess how a court will assess it. The point being that we need to have a system for dealing with people who actively set out to cause serious harm by inciting violence, by inciting hatred by posting intimate information about people. That is not the same as investigative journalism, and I have no concern at all that genuine investigative information revealing things in the normal course of news media would be captured by this law. That is not the intent. I think the Law Commission and the select committee tested those things very carefully. And I think if we were to say, ‘Well, look, we’re just not going to take any action at all, and this harm being caused by harmful cyber bullying is not something we’re going to worry about,’ then I think we would be failing the public.
All right. Thank you very much. Justice Minister Amy Adams. Very interesting to talk to you this morning. Thank you.
You’re welcome.
Lisa Owen: This bill is back in the House next week. Can you tell us what kind of changes you’re looking to make?
Well, really, over the course of the bill, we’ve just been looking to clarify some of the drafting and provisions, and of course there’s always some technical tidy-ups that the drafters find. So there’s going to be nothing staggering that’s new in the changes. There are a few areas where we want to, as I say, clarify, for example, how the safe harbour works, clarify that the fence regime covers a number of different options. So there’s a few tidy-ups of that nature.
Can you tell us a bit more about that? A safe harbour clause that you talked about then?
Yeah, well, the bill provides a safe harbour provision in it which makes it very clear that if you are what we call an online content host - so think your Trade Me message boards or the ISP who provide the net service - we don’t want them to be criminalised in this, so we’ve created a very specific process that they can follow - they don’t have to, but they can follow - of receiving the complaint, giving notice to the person who put the message up, and if they follow through that process, then they can’t be held in any way liable for any action they take. That’s not to say, of course, that the content host can’t do what they would want to do anyway. So take it down immediately if they think it’s offensive or follow their own terms and conditions. But it just provides a very clear legislative process that if they follow that, there can be no question at all of any liability for them.
All right. I want to talk through some examples a bit later, but can you tell me whether the definition of harm - because this is all about - whether a tweet or something that’s put out in cyberspace harms someone - is the definition of harm going to be the same? To cause emotional distress?
Yeah, look, we’re not changing that. This is a piece of legislation that we have to balance very carefully, and the select committee, I think, did a very good job of testing exactly where that balance needs to sit between protecting people from unfair cyber bullying but not going so far as to be an unreasonable limit on freedom of speech and free expression.
But in terms of the harm, causing harm, isn’t that kind of loose, subjective language that’s open to interpretation? How do you measure that? Because one person’s horseplay is another person’s bullying.
Yeah, that’s true, but it’s not actually unusual in the law to talk about concepts like reasonableness and whether a reasonable person would be upset by it, so that’s something the law is used to dealing with. And, as I said, the vast majority of cases will be dealt with by the approved agency who can’t compel anyone to do anything but to try and mediate between people to remove content that’s inappropriate. And it only becomes a legal issue if it really is at the very serious end of the spectrum. And harm in that sense can go from significant emotional distress right through to people potentially wanting to take their own lives. We’ve certainly seen that in cases like Charlotte Dawson and the like.
All right. Well, to help us understand this, let’s use an example. So, there is a post on The Nation’s Facebook page that calls Steven Joyce a lazy bludger, and it accuses him of racism and discrimination. So, let’s say Mr Joyce rings the host of our webpage under this law and says that it’s caused him harm or emotional distress, what happens under your law?
Well, there’s a couple of things. First of all, a politician is probably not the best example to use because we have an expectation that in our jobs, we are subject to a lot more abuse and criticism than the average person, and our thresholds adjust to that.
But there’s nothing in the bill that specifies that, is there?
No, that’s exactly right.
Right, so let’s use this example then. He rings in and says it’s caused him harm.
Okay, so there’s three players involved here. There’s the person who put up the information. So, the poster of the information. There’s the host - as you say, the site it’s on - and the complainant. So, the complainant can go to the online host and lodge a complaint. Now, the host, at that point, can choose to go down the safe harbour provision, which is a 48 hour notice receiving the information and then dealing with it. Or the online content host can choose to follow their own processes, which may be taking it down straight away, as they do now. It may be doing nothing further. So, that’s completely up to the content host how they choose to work through that process. And that’s important, because we don’t want to compel hosts to take down information, because that would be a very unreasonable limit on the freedom of speech. So there is an option there for the content host, and what happens is the approved agency would work with the parties to see if it can be resolved amicably between them.
You talked about the safe harbour provisions, but a host could conceivably take it down to avoid grief of the matter going any further. So that in itself, as the default position, could be censorship.
Well, that’s the position now. Right now, if you don’t like something that’s up on Facebook about you, you can ring Facebook and ask them to take it down. And right now, they’ll make their own assessment about whether they will or won’t. This doesn’t change that. What it does say is that there is a specific process that the host can use if they want to. And if they want to, then they can’t be held criminally liable for their decision.
And if they use that specific process, they can contact, can’t they, the person who has produced that item that’s caused the offence.
That’s right.
And those people have, at the moment, 48 hours to respond. That’s correct?
That’s right. Absolutely.
And if they don’t, if they’re unable to contact those people or they don’t get a response, the default position, if they want to use this clause to protect themselves, is they’ve got to take the material down, don’t they?
If they want to follow through the safe harbour provisions, that’s exactly right. But, as I’ve said, that’s entirely optional for them, and they can choose to use or not use that process.
So they can use their own terms and conditions, and then they’re on their own in terms of liability if they opt for that. If they use safe harbour, they get no response within 48 hours or can’t contact the person who has produced that material, then in order to be protected, they must take it down.
That’s right. They need to work with the approved agency to do that, but we have to have a process whereby it’s not an out to simply return a call. So, if you take a situation of revenge porn where someone’s put up very personal, very intimate photos or information about you on a website, you make a complaint under these provisions, and the online content host can’t get hold of anyone, you can’t have that remaining there for extended periods of time. We want there to be an adequate method of response, and I have every confidence that the approved agencies and the online content hosts will use that appropriately.
Okay. You talk about not wanting to suppress free speech, and Thomas Beagle from Tech Liberty has said this offence will criminalise all speech that causes harm, regardless of whether that speech has any other value. He’s right, isn’t he? It will criminalise-?
No, I don’t think he is at all. No, look, I don’t accept that at all. The criminal offence in the bill is for the very extreme end of harmful digital communications, and we have made sure that it is only where the person intends to cause significant harm to the victim and actual harm is caused. So you have to set out to want to hurt that person, and that person is in fact harmed.
Okay. Well, can we talk through a couple of examples, then. Jeremy Corbett and Paul Ego will come on this show shortly, and they will make someone the butt of their jokes. I think this week it’s Nick Smith. It goes up on our webpage. Now, what’s to stop someone asking for that to be taken down because they feel it’s harmed them or referring it to the agency or taking it to court? And then a lot of time and money is spent working out whether that’s a joke or it’s bullying.
So, you’re right. As I said before, people can complain, and people actually take cases to court under all sorts of provisions at the moment that there isn’t a proper basis for and they don’t proceed further. There’s always that balance between should they not be able to raise the issue, or should it be able to be raised and tested. I’m very comfortable that, actually, the terms under the legislation make it quite clear that having a joke at someone’s expense will not meet the threshold of causing the sort of harm that the bill anticipates.
Critics say that this is one of the types of cases that will get caught up in this bill and will waste time and money.
Well, I simply don’t agree with them. And, of course, if that is the case, then the law can always be looked at.
Can you say, Minister, that cartoons- the likes of cartoons, Minister. Can you say that those will be protected as well, like cartoons about Muhammad and Christ? And they cause a lot of people a lot of distress.
Look, it really- Whether there is a satirical drawing or some sort of other information is not the test; the test is the content of the information. So if the information in cartoon form or any other form created serious harm, incited racial hatred or the like, the same principles apply.
Well, for example, the Charlie Hebdo cartoons that obviously resulted in a number of lives being lost - sometimes the intent of cartoons is to stir, to create public debate.
Well, this bill isn’t going to criminalise anything that doesn’t set out to cause serious harm and serious harm is caused. And it will be for the court in each case to work out whether that test has been made. But what I can assure you is that that threshold is very high.
Will there be a defence of honestly held opinion or truth?
So, when you have offences that require- that prosecute people for intentionally causing serious harm to someone, I don’t think it’s okay to simply say, ‘Well, I think it’s reasonable,’ or ‘It’s my right to say it.’ The courts actually say if you’ve gone out to cause serious harm-
But what if it’s true? What if it’s true, Minister? What if the thing published in cyberspace is true?
Well, you have to be very careful, I think, Lisa. There’s a lot of what we’re talking about will be true in so far as that someone might have taken a recording of you doing someone incredibly intimate. Now, the fact that it happened doesn’t mean it’s not very damaging and inappropriate for that to be put up on the internet.
But what about let’s say- Let’s use an example of a politician who may be married and has campaigned on family values is then found to be having an affair, and that material is put up in a story in cyberspace. While it might be harmful to that individual, it is truthful. And the intent may be to undermine their political career, but it’s truthful, and it has some public value, perhaps, the story.
Look, it’s very difficult to start going through every single situation and trying to guess how a court will assess it. The point being that we need to have a system for dealing with people who actively set out to cause serious harm by inciting violence, by inciting hatred by posting intimate information about people. That is not the same as investigative journalism, and I have no concern at all that genuine investigative information revealing things in the normal course of news media would be captured by this law. That is not the intent. I think the Law Commission and the select committee tested those things very carefully. And I think if we were to say, ‘Well, look, we’re just not going to take any action at all, and this harm being caused by harmful cyber bullying is not something we’re going to worry about,’ then I think we would be failing the public.
All right. Thank you very much. Justice Minister Amy Adams. Very interesting to talk to you this morning. Thank you.
You’re welcome.
Lisa Owen: Ursula Cheer is a law professor at Canterbury University. She says the bill is a risk, and she joins me live from our Wellington studio. Good morning, Professor.
Ursula Cheer: Good morning, Lisa.
We all want to stop bullying, but there have been some concern raised about this Bill — some from you — that it may unintentionally undermine free speech. Are any of your concerns relieved by what you've heard there from the Minister?
Well, I guess I wouldn't be quite so sanguine and certain as the Minister about what the effects of the legislation will be. This is the next piece of legislation that may have quite serious impacts on speech in New Zealand. So, certainly, the aims are very worthy and I think worth pursuing, but I think just because other countries are doing things like this, doesn't mean that they're all going to work out necessarily. Particularly, we can assume they're going to work well and not take in speech, and that there is no risk to speech that shouldn't be, perhaps, criminalised or covered by a civil regime. So, this is new legislation, and all around the world, countries are trying to deal with the issue of cyber porn, and they're all trying it without really knowing what the effects might be. So I think there are risks there, and they do need to be kept in mind both when the agency is being appointed to deal with the lower level of this regime, and then by all the individuals and civil servants and so on who will be asked to administer this scheme.
Because the reality is that free speech can cause harm.
That's absolutely right, and I think our Bill of Rights contains freedom of expression, and it has to be borne in mind wherever any legislation is passed and wherever it's administered. So I guess my first concern is about the agency that is supposed to run that low level part of the scheme where an individual who thinks they've been harmed can go and complain and then seek to have mediation, something of that kind, carried out for them. So we don't know who this agency's going to be yet, and although the Law Commission talked about NetSafe being the appropriate body, there's two things about that agency. First, they're going to have to be really well resourced because this is likely to be a regime I think that will be quite popular. Speech on the internet now is exploding so...
Professor, do you think that agency, whoever it turns out to be, could be inundated with, perhaps, nuisance complaints?
Well, not only nuisance complaints but just lots of complaints, and it's like the Privacy Commissioner has become very popular in that way. And your agency has to be resourced really well to deal with that, and you don't want to be like the Privacy Commissioner's office which has a backload and needs more money. So that's the first real issue. But, of course, there will be, possibly, what will be seen as vexatious or frivolous complaints as well. And they have tried to deal with those, but it's always tricky to weed those out and work out whether you should deal with certain complaints. And that takes time to work those things out, and it takes resources.
Do you have any concerns about the media not being exempt from this law?
That's unusual for legislation of this kind, so what will happen is there will be compliance costs that may impact on media, and there might be the occasional complaint in relation to web pages. All the media outlets run web pages. So it's possible people will be offended by, perhaps, a religious cartoon or some other sort of coverage that impacts on somebody's privacy. Then the media have to get involved in the process if a complaint is made, and then if it is, perhaps, looks as if it's upheld or there can't be a mediation around it and it goes on to the court, then there have to be methods there within the scheme to allow for the media position. They have tried to...
The Minister was very strong about saying there that you need to have intended harm, but if we look at a case this morning. We've done an interview about Colin Craig, and we intended to reveal some material that presumably could cause him and his family distress. Could that get us in trouble under that law?
OK, I think what the Minister was talking about there was the criminal offence, and that threshold has been set very high as to whether behaviour will be criminalised or not, so I think it is unlikely the media will be caught by that. There has to be the intention to cause harm, and the harm, including emotional harm, has to actually have been caused. So I think that's not so much an issue, but I think the civil regime, whereby if it goes to a court, a district court, there might be an order for a 'take down' or something like that. That's more likely to maybe impact on the media. They have tried to build in the public interest being taken into account, but it's not a defence. It's not a specific defence. It's just one of those things that will be weighed up along with everything else by a court. And in the meantime, the media has the cost and the time involved in dealing with that complaint. So the media may well be dragged into this process.
All right. Thank you so much for joining me this morning, Professor Ursula Cheer.
Thank you.
Ursula Cheer: Good morning, Lisa.
We all want to stop bullying, but there have been some concern raised about this Bill — some from you — that it may unintentionally undermine free speech. Are any of your concerns relieved by what you've heard there from the Minister?
Well, I guess I wouldn't be quite so sanguine and certain as the Minister about what the effects of the legislation will be. This is the next piece of legislation that may have quite serious impacts on speech in New Zealand. So, certainly, the aims are very worthy and I think worth pursuing, but I think just because other countries are doing things like this, doesn't mean that they're all going to work out necessarily. Particularly, we can assume they're going to work well and not take in speech, and that there is no risk to speech that shouldn't be, perhaps, criminalised or covered by a civil regime. So, this is new legislation, and all around the world, countries are trying to deal with the issue of cyber porn, and they're all trying it without really knowing what the effects might be. So I think there are risks there, and they do need to be kept in mind both when the agency is being appointed to deal with the lower level of this regime, and then by all the individuals and civil servants and so on who will be asked to administer this scheme.
Because the reality is that free speech can cause harm.
That's absolutely right, and I think our Bill of Rights contains freedom of expression, and it has to be borne in mind wherever any legislation is passed and wherever it's administered. So I guess my first concern is about the agency that is supposed to run that low level part of the scheme where an individual who thinks they've been harmed can go and complain and then seek to have mediation, something of that kind, carried out for them. So we don't know who this agency's going to be yet, and although the Law Commission talked about NetSafe being the appropriate body, there's two things about that agency. First, they're going to have to be really well resourced because this is likely to be a regime I think that will be quite popular. Speech on the internet now is exploding so...
Professor, do you think that agency, whoever it turns out to be, could be inundated with, perhaps, nuisance complaints?
Well, not only nuisance complaints but just lots of complaints, and it's like the Privacy Commissioner has become very popular in that way. And your agency has to be resourced really well to deal with that, and you don't want to be like the Privacy Commissioner's office which has a backload and needs more money. So that's the first real issue. But, of course, there will be, possibly, what will be seen as vexatious or frivolous complaints as well. And they have tried to deal with those, but it's always tricky to weed those out and work out whether you should deal with certain complaints. And that takes time to work those things out, and it takes resources.
Do you have any concerns about the media not being exempt from this law?
That's unusual for legislation of this kind, so what will happen is there will be compliance costs that may impact on media, and there might be the occasional complaint in relation to web pages. All the media outlets run web pages. So it's possible people will be offended by, perhaps, a religious cartoon or some other sort of coverage that impacts on somebody's privacy. Then the media have to get involved in the process if a complaint is made, and then if it is, perhaps, looks as if it's upheld or there can't be a mediation around it and it goes on to the court, then there have to be methods there within the scheme to allow for the media position. They have tried to...
The Minister was very strong about saying there that you need to have intended harm, but if we look at a case this morning. We've done an interview about Colin Craig, and we intended to reveal some material that presumably could cause him and his family distress. Could that get us in trouble under that law?
OK, I think what the Minister was talking about there was the criminal offence, and that threshold has been set very high as to whether behaviour will be criminalised or not, so I think it is unlikely the media will be caught by that. There has to be the intention to cause harm, and the harm, including emotional harm, has to actually have been caused. So I think that's not so much an issue, but I think the civil regime, whereby if it goes to a court, a district court, there might be an order for a 'take down' or something like that. That's more likely to maybe impact on the media. They have tried to build in the public interest being taken into account, but it's not a defence. It's not a specific defence. It's just one of those things that will be weighed up along with everything else by a court. And in the meantime, the media has the cost and the time involved in dealing with that complaint. So the media may well be dragged into this process.
All right. Thank you so much for joining me this morning, Professor Ursula Cheer.
Thank you.
Amy Adams only interested in 'strong female roles'
Amy Adams: "Even to this day I have this fantasy: 'What else would I do if I didn't act?' And I've got nothing." Photo: Paola Kudacki/trunkarchive.com/Snapper Media
When Amy Adams first read the script for her new film Big Eyes, five years ago, she passed on it. She was only looking for "strong female roles" and it didn't fit the bill.
Big Eyes is based on the true story of artist Margaret Keane, whose second husband, Walter, took credit for her paintings of children with huge, doleful eyes, passing them off as his own, then popularising them in the 1960s through mass-production prints. As Walter kept telling her, "People don't buy lady art."
Adams initially regarded Keane – locked in a custody battle with her first husband for her daughter and wanting Walter's protection – as a pushover. Then, a year later, the actress had her daughter Aviana and reconsidered her definition of what constitutes strength.
Amy Adams: "Even to this day I have this fantasy: 'What else would I do if I didn't act?' And I've got nothing." Photo: Paola Kudacki/trunkarchive.com/Snapper Media
"I think that there's probably a great conflict within her, between being an artist and being a mother," Adams says of Keane's surrender to her husband's plan. "You start doing something because you believe it's the right thing to do, and it ends up being the wrong thing to do for the right reasons."
Adams described Keane in her Golden Globes acceptance speech (she won a Best Actress award) as "a woman who had such a quiet voice, strong heart and strong artistic vision – and ultimately was able to use her voice".Keane eventually sued Walter and took back control of her intellectual property and is now considered by some to be a late-blooming feminist.
Adams, the middle of seven children,has been driven to find her own voice from a young age. Born in Italy 40 years ago, where her father was stationed with the US Army, she mostly grew up in Castle Rock, Colorado. Adams was raised Mormon until the age of 12, when her parents divorced and left the Church. Even now, there's a residual wholesomeness about her that is decidedly un-Hollywood.
On the day we meet, the petite star is dressed in a modest Calvin Klein twinset, that matches her pellucid blue eyes. Her thick auburn hair drapes softly at her shoulders and the only tiny sign of rebellion is her tan pumps, kicked off impetuously on the floor.
Not only does Adams, in spite of her fame, remain softly spoken and eager to please, she is raising Aviana, 4, to be a little lady, too. "I'm a pretty firm mother," she says. "I really believe in manners and I've definitely had other mothers look at me like I'm a little hard on her. I don't want her to blindly follow authority but at the same time I'd like her to understand boundaries."
This is partly a case of Adams having learnt the hard way. School was not her forte, mostly because she was just waiting for it to be over so she could join the workforce. "Being one of seven kids, I was going to be responsible for my own education, financially," she says. "And I didn't want to accrue all these student loans and have to pay them off as a dancer. I was very practical."
Instead, she spent several years singing and dancing in dinner-theatre shows across middle America until she caught a break, scoring a role in the beauty pageant mockumentary Drop Dead Gorgeous. Co-star Kirstie Alley encouraged Adams to leave regional theatre and try her hand in the rough and tumble of Hollywood – a move that brought its share of lows as well as highs. What kept her going in the face of rejection? "Lack of options," she admits. "Seriously. I could not figure out what else I would do. Even to this day, I have this fantasy: 'What else would I do if I didn't act?' And I've got nothing."
That pragmatism paid off when she scored a role in Steven Spielberg's Catch Me If You Can as a nurse who falls for a charming con man, played by Leonardo DiCaprio. It was another three years, though, until her breakout role in Junebug (2005), playing a naive and vulnerable housewife whose baby is stillborn. The performance earned her the first of five Oscar nominations (pundits regarded her failure to garner an Oscar nomination forBig Eyes as a surprising snub from the Academy).
The accolades are impressive but the work itself has come at a psychological cost. "I'm very jealous of this sense of freedom other actors have with their work," Adams admits. "I've approached my work with fear, if I'm being honest. It's a big part of my life – a lot of fear of judgment, a lot of fear of failure."
Enjoying a low-key life helps ease some of the anxiety that has come with meteoric success. Adams has been in a relationship with artist and actor Darren Le Gallo for 13 years. If the paparazzi capture candid shots of the family, they are typically hiking in the hills around Los Angeles, or shopping at a weekend farmers' market. "When I did Julie and Julia I picked up cooking skills that changed how I saw cooking," she says of the 2009 film in which she co-starred with Meryl Streep. "It became very meditative for me."
Although, after a six-year engagement, people have mostly stopped speculating when Adams and Le Gallo might throw a wedding, the question of whether they want a sibling for Aviana is persistent.
She knows that whatever happens, her daughter's childhood will be very different from her own. "It's been something I've struggled with, to create the balance and provide some sort of normalcy for her, but understanding there is no normal life," she says.
Adams's regrets about missing out on college are sometimes tweaked by the creative milieu the girl from small-town Colorado finds herself in. "I've worked with some really amazing people," she says. "So, that'll do it to you. I'm like, 'Hmm, I should probably try and figure out what they're talking about.' "
DiCaprio enthusiastically filled out her film knowledge, she says. As for her love of literature, that is owed to an old love, who remains nameless but about whom she's still clearly wistful. "They say you're supposed to have one really great person you don't end up marrying," she says. "He was lovely and he knew I was sort of insecure about not having gone to university and he would give me books - Catcher in the Rye, The Great Gatsby, [John] Steinbeck. I really appreciated that he shared that with me."
In preparing for her Big Eyes role, Adams visited then 86-year-old Margaret Keane in her studio. "I knew I wasn't going to learn to paint like her but I could glean how she related to the paints and the canvas, watching how she used the brush," she says.
Keane disclosed to Adams that the figures she paints speak to universal childhood anxieties: "Why do we have wars? Why do people kill each other? All those things you ask as a child that adults can't answer."
"I think we never lose that fear," says Adams. "We just learn to live with it."
When Adams turned 40, she decided it was time to let go of the worry that had plagued so much of her adult life. "I let go of a lot in my 30s but I've hung on to certain ideas, thinking that they served me," she says. "Now, it's letting go of all of that superstition, like: 'You know what, Amy? Your anxiety is not the reason that you are where you are. That actually robs you of your joy. So let's see how we can let go of that fear.'"
Like so many parents of a four-year-old, Adams spent most of last year exposed to an unrelenting rotation of the Oscar-winning hit song Let It Go, from Disney's animated movie Frozen.
"It's silly that a kid's song is one of my defining songs for the year but I totally get where Elsa's coming from," she says of the film's main character. "You've bottled yourself up, being who people want you to be, but no - I'm going to be who I am, 'stand in the light of day', you know, 'let the storm rage on'."
By now, she is laughing at herself, animatedly quoting the lyrics of her daughter's favourite song. "There's a beautiful saying: 'Fear and gratitude cannot exist within the same breath.' So that's where I'm coming to. I want to start being present and experiencing joy."
Amy Adams: "Even to this day I have this fantasy: 'What else would I do if I didn't act?' And I've got nothing." Photo: Paola Kudacki/trunkarchive.com/Snapper Media
Amy Adams: "Even to this day I have this fantasy: 'What else would I do if I didn't act?' And I've got nothing." Photo: Paola Kudacki/trunkarchive.com/Snapper Media
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